• Nuits, 40 x 180 cm

  • Firelands I, 100 x 100 cm

  • Firelands II, 100 x 100 cm

  • Firelands III, 100 x 100 cm

  • Firelands IV, 100 x 100 cm

  • Firelands V, 100 x 100 cm

  • Firelands VI, 100 x 100 cm

  • Tangerine, 46 x 140 cm

  • He is coming, 90 x 160 cm

  • His Car Her Hair

  • She looks for culprits and offenders

  • She would like the city to unwind into her

  • The undresser - 01, 60x80cm

  • Les Dérangeuses III

  • Written in the white and wet II

  • 9th Arrondissement

  • Belles de nuit V, 40 x 125 cm

  • Chimeras XXI

  • Sortilèges XVII

  • Golden Fields，50 x 210 cm

  • OROMBRE，100 x 50 cm

  • TGV Landscape I

  • Mediterranea II, 80 x 100 cm

  • Hellish miracles

  • HKNIT

  • Les Nuits du Couvre-Feu I

  • Blood in her words

  • We only have the time we live in, with all that we have, وى الوقت الذي نعيشه مع كل ما نملك (Ahmed Salman Assan Marzouki Saie Al Koufi, 1906 - 1991), 112 x 200 cm

  • Aquarium, 46 x 140 cm

  • Corleone, 100 x 180 cm

  • SelfCamera I

  • She dreams about what has not happened

  • Anonymous and intimate at the same time

  • The undresser - 02, 60x80cm

  • Les Dérangeuses VIII

  • Retours I

  • 17th Arrondissement

  • Belles de nuit XII, 40 x 125 cm

  • Chimeras XXXIII

  • Sortilèges XX

  • Black Fields，50 x 210 cm

  • TRIVOR，100 x 50 cm

  • TGV Landscape II

  • Mediterranea II, 80 x 100 cm

  • Intensely she recovers possession of herself

  • Raincheck

  • Night Kunming

  • Les Nuits du Couvre-Feu II

  • Hidden and ahead

  • I walk down the street, I don't remember if it was white or purple, أمشي في الشارع، لا أدري إن كان أبيض أم قرمزي (Ahmed Kattouah, 1965 - )

  • Urban Ritual, 46 x 140 cm

  • Rambling, 100 x 140 cm

  • SelfCamera II

  • She looses herself in the dates and the places

  • She believes what she sees

  • The undresser - 03, 60x80cm

  • Les Dérangeuses IV

  • Allée avec elle I

  • 2th Arrondissement

  • Belles de nuit VII, 40 x 125 cm

  • Chimeras I

  • Sortilèges XVIX

  • Fields and Curves in gold and brown, 50 x 210 cm

  • TREVE，100 x 50 cm

  • TGV Landscape III

  • Mediterranea I，60x90cm

  • Metro landscape

  • Stealthy Presence

  • Huimin Kunming Night

  • Les Nuits du Couvre-Feu XX

  • Five demands, not one less, I

  • Fake collision, 60x160 cm

  • In the air, the heart flew, by the light... في الهواء، كان القلب مُ حلِّ قاً، في أنوار التجلّ ي وقد بدَّ دَ ت ْ ظلمات التيه (Omar Ibrahim Al Bari, 1891 - 1959), 112 x 200 cm

  • Transient, 61 x 152 cm

  • Shelters (Cases), 90 x 220 cm

  • SelfCamera III

  • She hopes for an event

  • She retraces her steps but more slowly

  • The undresser - 04, 60x80cm

  • Les Dérangeuses V

  • Lapses I

  • 15th Arrondissement

  • Belles de nuit III, 40 x 130 cm

  • Chimeras C

  • Sortilèges XXI

  • Fields in brown and white，50 x 210 cm

  • OBRUNE，100 x 50 cm

  • TGV Landscape VI

  • Presence VII

  • Today no one in my family has been shot

  • Mother Courage

  • Personal History

  • Les Nuits du Couvre-Feu XXX

  • Five demands, not one less, II

  • Maidan with her, 60x160cm

  • Beyrouth Frieze IV, 45 x 70 cm

  • How sad I would be if I did not meet you لكم كنت سأكون حزينا ً لو لم ألتقيك (Abdelaziz Al Moubarak, 1862 - 1941), 112 x 180 cm

  • Presents, 46 x 140 cm

  • Stanza, 100 x 180 cm

  • SelfCamera IV

  • She thinks about what has not happened

  • The city passes through her face

  • The undresser - 05, 60x80cm

  • Les Dérangeuses VII

  • Written in the white and wet III

  • 7th Arrondissement

  • Belles de nuit VI, 50 x 120 cm

  • Chimeras CI

  • Sortilèges XXII

  • Furrows in green and gold，50 x 210 cm

  • RIVERIES，100 x 50 cm

  • TGV Landscape V

  • Mediterranea IV

  • This incessant collision makes me feel at home

  • Abandoned Scene

  • Here

  • Les Nuits du Couvre-Feu L

  • Caught in a tramway act

  • Beyrouth Frieze V, 45 x 70 cm

  • Chance is here before it is there الفرصة موجودة قبل أن تكون هناك (Ibrahim Abdulaziz Alhosain, 1960 - ), 112 x 180 cm

  • N.Y.C.Y.C., 46 x 140 cm

  • Related, 100 x 180 cm

  • SelfCamera V

  • She commits herself to unreality

  • She runs like she loves

  • The undresser - 06, 60x80cm

  • Les Dérangeuses II

  • Tell me what she did not I

  • 11th Arrondissement

  • Chimeras L

  • Sortilèges III

  • Lagoon in mauve and white，50 x 210 cm

  • ROSERT，100 x 50 cm

  • TGV Landscape VII

  • Trees and Bushes VI

  • Living in a difficult city becomes almost a privilege

  • The impossible House

  • Landmark

  • Les Nuits du Couvre-Feu VI

  • Pointing to the rebel

  • She hid her heart of love in her heart كانت تخبئ حبها في قلبها (Abdelaziz Al Moubarak, 1862 - 1941), 112 x 180 cm

  • Passage, 46 x 140 cm

  • Them, them, them I, 100 x 180 cm

  • SelfCamera VI

  • She doesn’t know where the city ends

  • Her quest looks like fire

  • The undresser - 07, 60x80cm

  • Les Dérangeuses VI

  • Limon I

  • 18th Arrondissement

  • Belles de nuit XIII, 60 x 87 cm

  • Chimeras II

  • Sortilèges XII

  • DORANGLE，100 x 50 cm

  • Mediterranea VII, 48 x 72 cm

  • Podil with Iryna

  • Turn away

  • Beixin Night

  • Les Nuits du Couvre-Feu LXXII

  • Yielding or escaping ?

  • Others understand us more than we do ourselves يفهمنا الآخرون أكثر مما نفهم أنفسنا (Ahmed Adboehman, 1949 - ), 112 x 180 cm

  • Silent Curtains, 46 x 140 cm

  • Louis, 100 x 180 cm

  • SelfCamera XXVII, 48x65cm

  • Her landmarks become mobile

  • Silhouettes mingle with each other

  • The undresser Nr/Vl, 80x116 cm

  • Les Dérangeuses I

  • Lapses II

  • 4th Arrondissement

  • Belles de nuit XIV, 60 x 80 cm

  • Chimeras V

  • Lagoon in gold, blue and green，50 x 210 cm

  • ONORE，100 x 50 cm

  • Presence I

  • Fake collision

  • Pedestal

  • Screen Memory

  • Les Nuits du Couvre-Feu LXXI

  • There is no way back

  • Beyrouth Frieze VIII, 45 x 70 cm

  • And humans walked on Earth, guided وكان البشر يمشون في الأرض، مقتادين (Mohammed Al Amri, 1863 - 1931), 112 x 200 cm

  • Upside down, 46 x 140 cm

  • Sevilaport, 100 x 140 cm

  • SelfCamera XXVIII

  • She keeps all these voices within herself

  • Citystreets make her feel clandestine

  • The undresser in white, 70x170cm

  • Les Dérangeuses XVII

  • Written in the white and wet I

  • 6th Arrondissement

  • Belles de nuit XII, 75 x 100 cm

  • Chimeras VI

  • Sortilèges XV

  • Fields and walls，50 x 210 cm

  • SILVERE，100 x 50 cm

  • Presence V, 48 x 72 cm

  • City Leisure

  • In the Heart of Untruth

  • Tianhe

  • Les Nuits du Couvre-Feu LX

  • Some people moved on but not us

  • Showing the poetry of women and the pride of men إظهار شِ عر النساء وفخر الرجال (Ahmed Abdoehman, 1949 - ), 112 x 200 cm

  • She, 46 x 140 cm

  • Directional piece, 110 x 185 cm

  • SelfCamera VII

  • Others are always already there

  • Les Dérangeuses XX

  • Written in white and wet III

  • 20th Arrondissement

  • Chimeras III

  • Sortilèges II

  • Fields and Sky，50 x 210 cm

  • CORDORE，100 x 50 cm

  • Mediterranea VI

  • She confronts the street with gentleness

  • Ravages

  • Becoming a Painting

  • Les Nuits du Couvre-Feu LXX

  • Memories of a crowded city

  • This is how I look at life, at people, and at things هكذا أنظر إلى الحياة والناس والأشياء (Abdullah Alokibi, 1979 - ), 112 x 200 cm

  • Alternance, 46 x 140 cm

  • Unrelated, 100 x 180 cm

  • SelfCamera VIII

  • All her landmarks become mobile

  • Les Dérangeuses XVI

  • 15th Arrondissement

  • Belles de nuit I, 75 x 50 cm

  • Chimeras VII

  • Sortilèges XXV

  • Lagoon in green and grey，50 x 210 cm

  • MANOVOR，100 x 50 cm

  • Mediterranea VIII

  • A place to hide

  • Winning Trio

  • Shilin

  • Les Nuits du Couvre-Feu XLV

  • Standing with HK

  • I just want life to remain calm so that I can capture the beauty when it passes أتمنى أن تظل الحياة هادئة لالتقاط الجمال عندما يمر(Abdullah Alokibi, 1979 - ), 112 x 200 cm

  • Them, 46 x 140 cm

  • Lure, 100 x 180 cm

  • SelfCamera XI

  • Her road is known by everybody

  • 16th Arrondissement

  • Belles de nuit X, 170 x 60 cm

  • Chimeras VIII

  • Sortilèges XXIV

  • Lagoon in green and blue，50 x 210 cm

  • LANGONE，100 x 50 cm

  • Presence VI

  • Back to daily life

  • Subjectivity without Respite

  • Lost in flowers

  • Les Nuits du Couvre-feu LXXX

  • She will never forget

  • Beyrouth Frieze XII, 45 x 70 cm

  • We sang for life to dance, which it often did, كنا نغني لترقص الحياة، وهو ما كانت تفعله دائما(Ahmed Adbodehman, 1949 - ), 112 x 200 cm

  • TBA II, 30 x 175 cm

  • SelFSevilla III, 80 x 145 cm

  • SelfCamera XII

  • Desires remain warm under her footsteps

  • Les Dérangeuses XVIII

  • 13th Arrondissement

  • Belles de nuit II, 170 x 60 cm

  • Chimeras XXVII

  • Sortilèges XXVIII

  • Lagoon in blue and red，50 x 210 cm

  • SCRIBLE，60 x 45 cm

  • Mediterranea IX

  • Ahead of us

  • Failure & Success

  • Lost in Yunnan

  • Can we still live normally ?

  • Beyrouth Frieze XIII, 45 x 70 cm

  • I wait for chance, I know it's on its way,أنتظر الصدفة، أعرف أنها في الطريق (Ibrahim Abdulaziz Alhosain, 1960 - ), 112 x 200 cm

  • TBA I, 30 x 175 cm

  • BMOne, 90 x 120 cm

  • SelfCamera XV

  • She is haunted by rubs, swishes, rustles

  • Les Dérangeuses XII

  • 2th Arrondissement

  • Chimeras IV

  • Lagoon in blue and black，50 x 210 cm

  • IL，60 x 45 cm

  • Mediterranea X

  • Fathers and Sons

  • Carnival Outbreak

  • Experience

  • La résistance devient un devoir

  • Beyrouth Frieze XIV, 45 x 70 cm

  • They seek the mysteries of the entire universe by opening doors, يبحثون عن أسرار الكون بأسره حين يُ شرّ عون الأبواب (Fouad Ben Hassan Al Khateeb, 1880 - 1957), 112 x 200 cm

  • Disorder, 46 x 140 cm

  • Del Carmine, 70 x 125 cm

  • SelfCamera XVI

  • All this is about rhythm or repetition ?

  • Les Dérangeuses XI

  • 12th Arrondissement

  • Chimeras XVII

  • Lagoon in blue and white，50 x 210 cm

  • BOLME，60 x 45 cm

  • Facing you, 60 x 90 cm

  • She finds her way by following the impact of bullets

  • Waiting without desire

  • Doubts

  • 11.08 / 8:09 He left us

  • Beyrouth Frieze XV, 45 x 70 cm

  • I wish my life had a beautiful destiny, that the first love was the right one... ً ، أن يكون الحب الأول هو الصحيحاأَوَ دُّ أن يكون لحياتي قدرا ً جمي (Ahmed Alali, 1986 - ), 112 x 200 cm

  • Crossing II, 46 x 140 cm

  • Dara, 100 x 180 cm

  • SelfCamera XIX

  • She confuses words and faces

  • Les Dérangeuses XIV

  • 14th Arrondissement

  • Chimeras XIII

  • Greenhouses, 50 x 210 cm

  • ILOR，60 x 45 cm

  • Panorama I, 60 x 110 cm

  • Together

  • And they are still dancing

  • Night

  • HK Conscience

  • Like time, she refuses to disappear, كالوقت، تأبى الاختفاء (Fouad Ben Hassan El Khateeb, 1880 - 1957), 112 x 200 cm

  • Crossing I, 46 x 140 cm

  • Divagations, 80 x 150 cm

  • SelfCamera XX

  • The city cuts off speech

  • Les Dérangeuses L

  • 13th Arrondissement

  • Chimeras IX

  • Fields and Flowers，50 x 210 cm

  • CORPORE，60 x 45 cm

  • Panorama V, 60 x 130 cm

  • New thoughts

  • Merrymakers

  • Going Evening

  • Clouds VS chaos

  • She seeks the mysteries of the entire universe, تبحث عن أسرار الكون بأسره (Fouad Ben Hassan Al Khateeb, 1880 - 1957), 112 x 150 cm

  • Mingling, 46 x 140 cm

  • Variables, 110 x 150 cm

  • SelfCamera XXV

  • The city rumble says nothing

  • Les Dérangeuses XV

  • 1st Arrondissement

  • Chimeras XI

  • Fields and Grass of red, green and gold，50 x 210 cm

  • MID，60 x 45 cm

  • Panorama II, 60 x 130 cm

  • Intense gathering

  • The end of a killer's life

  • Guxan Hutong

  • The scent of the oud perfumes the beads inside the pearly fabrics رائحة العود تفوح من اللآلئ في الأقمشة الصدفية (Khaled Ben Mohamed Al Faraj, 1898 - 1954), 112 x 200 cm

  • Hold up, 46 x 140 cm

  • Mad III, 80 x 140 cm

  • SelfCamera XXIV

  • She likes the city better than her own life

  • Les Dérangeuses XIX

  • 3th Arrondissement

  • Chimeras X

  • Fields and Grass of gold, green and brown, 50 x 210 cm

  • SILLOR，60 x 45 cm

  • Panorama VII, 60 x 110 cm

  • Woman park

  • Extreme Promise

  • Composition

  • Every week, Medinans and visitors from Medina would meet in his garden, كل أسبوع كان يلتقي سكان المدينة وزوارها في حديقتها(Abdel Jalil Barada, 1835 - 1909), 112 x 200 cm

  • Escalator, 46 x 140 cm

  • Mad II, 80 x 140 cm

  • SelfCamera XVII

  • She plays the city's game

  • 5th Arrondissement

  • Chimeras XV

  • CLOISE，60 x 45 cm

  • Panorama IV, 60 x 90 cm

  • Post-Melancholia

  • Recollections

  • If you listen to things carefully, you can hear them sing, يكفي أن تصغي للأشياء لكي تسمعها تغني (Ahmed Adbodehman, 1949 - ), 112 x 200 cm

  • Golden space, 46 x 140 cm

  • Mad I, 80 x 140 cm

  • SelfCamera XVIII

  • She naturally follows confusion, chaos

  • Les Dérangeuses LXXV

  • 4th Arrondissement

  • Chimeras XII

  • Brown Furrows，50 x 140 cm

  • TERMOR，60 x 45 cm

  • Panorama VI, 60 x 130 cm

  • Mirage Bedroom

  • Private Message

  • When tomorrow comes we don't know what we will be, لا ندري ما سيكون مصيرنا غدا (Ahmed Salman Assan Marzouki Saie Al Koufi, 1906 - 1991), 112 x 150 cm

  • Ocre majeur, 46 x 140 cm

  • Ils, 60 x 120 cm

  • SelfCamera XIII

  • She snuggles into city's folds

  • Les Dérangeuses XXXIII

  • Fields of red and gold，50 x 140 cm

  • BRANOR，60 x 45 cm

  • Panorama XI, 60 x 195 cm

  • Comings and goings

  • Walk the Talk

  • Deep Thoughts

  • At the end of the day, the winds were blowing in all four directions, في نهاية هذا اليوم، كانت الريح تعصف في الاتجاهات الأربعة (Yusuf Al Muhaymid, 1964 - ), 112 x 200 cm

  • Along Madison, 46 x 140 cm

  • RT2, 60 x 120 cm

  • SelfCamera XIV

  • She pretends to be transparent

  • Les Dérangeuses LII

  • Fields in green and mauve，50 x 140 cm

  • IMBER，60 x 45 cm

  • Panorama VIII, 60 x 180 cm

  • Free orientation

  • Rubbish Forest

  • Exchange

  • Without hesitation, she pierces the wind, بدون تردد، تخترق الريح (Ibrahim Ben Hassan Ben Hossein Al Eskouby, 1854 - 1914), 112 x 200 cm

  • Ionian, 46 x 140 cm

  • Elles, 60 x 120 cm

  • SelfCamera XXI

  • Multitude makes her doubt her existence

  • Fields in orange and gold，50 x 140 cm

  • CORE，60 x 45 cm

  • Panorama XII, 60 x 180 cm

  • End of the day with them

  • Magician

  • Choice

  • Me, bird feather; And the love of a little girl; Gone with the wind, ذهب مع الريح وحب فتاة أنا، ريشة عصفور (Salman Aljarbou, 1978 - ), 112 x 200 cm

  • Situations, 61 x 152 cm

  • Les Clandestins, 90 x 220 cm

  • SelfCamera XXII

  • The visible hidden by the visible

  • Dunes in red and black，50 x 140 cm

  • RIVOR，80 x 120 cm

  • Panorama XV, 60 x 180 cm

  • The Imagined Future

  • Dangan Jasmine

  • I am a whole family. I am all that, أنا كل ذلك أنا عائلة كاملة (Abdullah Al-Moshin, 1997 - ), 112 x 200 cm

  • Watersky, 46 x 140 cm

  • Figures, 100 x 200 cm

  • SelfCamera IX

  • Meaning comes back little by little

  • Golden furrows，50 x 140 cm

  • CENDROSE，80 x 120 cm

  • Panorama XVII, 60 x 150 cm

  • Today none from my family was killed

  • Laughing Fits and Cold Sweats

  • Project

  • She listens to the invisible echo, تصغي إلى الصدى المرئي  (Fouad Ben Hassan Al Khateeb, 1880 - 1957), 112 x 200 cm

  • Toy city, 46 x 140 cm

  • Survival, 60 x 120 cm

  • SelfCamera X

  • Every new face brings the city closer

  • Furrows in gold and orange, 50 x 140 cm

  • SOR，80 x 120 cm

  • Panorama XVI, 60 x 150 cm

  • The Graves Maid

  • Fade-in

  • Poetry comes from everywhere, يأتي الشعر من كل مكان (Ahmad Al Fageeh, 1967 - ), 112 x 200 cm

  • Rapture, 152 x 61 cm

  • Multi voices, 60 x 120 cm

  • SelfCamera XXX

  • She has choosen a scattered path

  • Burnt Furrows，50 x 140 cm

  • LOUCHLES，80 x 120 cm

  • Blacklisted Museum

  • Radiance, إشعاع (Solaiman Ben Sahmane, 1851 - 1929), 112 x 200 cm

  • Parade, 152 x 61 cm

  • Folla, 60 x 120 cm

  • SelfCamera XXXI

  • Accumulated presences impregnate her body

  • Fields in gold and green，50 x 140 cm

  • AMBRANE，80 x 120 cm

  • Panorama III, 60 x 130 cm

  • Beyrouth Frieze I, 45 x 70 cm

  • Heavenly murders

  • The nights are only lines drawn on stones..., الليالي فيها ليست سوى خطوط مُ سَ طَّ رة على حجارة (Khaled Ben Mohamed Al Faraj, 1898 - 1954), 112 x 150 cm

  • Waterskyglass, 152 x 61 cm

  • The Heroine, 50 x 150 cm

  • SelfCamera XXIII

  • Others are always already there

  • Fields and Grass of gold, green and brown，50 x 140 cm

  • LASSORE，80 x 120 cm

  • Panorama X, 60 x 180 cm

  • Beyrouth Frieze IX, 45 x 70 cm

  • Games of Power

  • The train overcomes the wind..., (Ibrahim Ben Hassan Ben Hossein Al Eskouby, 1854 - 1914), 112 x 200 cm

  • Wrapped, 152 x 61 cm

  • Panorama, 90 x 120 cm

  • She likes to slow down her perceptions

  • Fields in black and ochre，50 x 140 cm

  • ORORE，80 x 120 cm

  • Panorama IX, 60 x 180 cm

  • Beyrouth Frieze VII, 45 x 70 cm

  • Imminence

  • The peninsula sang and drank to the nights..., غَ نَّ ت شبه الجزيرة وسقتها الليالي التي كان يلمع البرق ويدوي الرعد فيها(Khairuddin Zirkali, 1893 - ?), 112 x 200 cm

  • In the middle of it, 152 x 61 cm

  • Lost in green and glass, 90 x 160 cm

  • Together only once

  • Curves in gold and grey，50 x 140 cm

  • PLANOR，80 x 120 cm

  • Panorama XIII, 60 x 140 cm

  • Beyrouth Frieze III, 45 x 70 cm

  • Reversed Chimeras

  • A night that calmly fulfills its idea, ليلة ٌ تؤدي فكرتَ ها بهدوء (Fatema Almohsen, 1972 - ), 112 x 200 cm

  • Lost and found, 152 x 61 cm

  • BNFBlue, 90 x 120 cm

  • Her thoughts arise crosswise

  • Dunes in black，50 x 140 cm

  • LEIGNES，80 x 120 cm

  • Panorama XIV, 60 x 190 cm

  • Beyrouth Frieze I, 45 x 70 cm

  • Her Home

  • The sky is part of the mountains; In our land, the rain does not fall, it rises, السماء عندنا جزء من الجبال. في قريتي لا يسقط المطر كعادته، بل يصعد. (Ahmed Adbodehman, 1949 - ), 112 x 200 cm

  • See you, see me, 152 x 61 cm

  • Playground, 90 x 120 cm

  • Encounters expand space

  • Fields in gold and white，50 x 140 cm

  • Presence IV, 48 x 42 cm

  • Beyrouth Frieze II, 45 x 70 cm

  • Resounding Cavalcade

  • Multistories, 152 x 61 cm

  • Heaven and Earth, 90 x 210 cm

  • She imagines an inverted city

  • Brown Furrows，50 x 140 cm

  • Beyrouth Frieze XI, 45 x 70 cm

  • Between two Tempests

  • Beachscape I, 152 x 61 cm

  • Elles at BM, 50 x 100 cm

  • Circuits are jammed

  • Furrows in grey and gold，50 x 140 cm

  • Beyrouth Frieze X, 45 x 70 cm

  • Deliquescences

  • Parlando con te, 50 x 100 cm

  • Words skip from face to face

  • Fields in gold and brown，50 x 140 cm

  • Mediterranea V, 48 x 72 cm

  • Hlompho

  • Surveillance，60x90cm

  • Jacaranda trip, 80 x 180 cm

  • She claims no fixed identity

  • Fields in green and gold，50 x 140 cm

  • Presence III, 48 x 72 cm

  • Forgotten mischief

  • LWomen, 46 x 140 cm

  • Her perspective puts her on the sideline

  • Burnt Fields，50 x 140 cm

  • Trees and Bushes I, 48 x 72 cm

  • Audacity

  • Selena, 40 x 110 cm

  • Her encounters bounce off one another

  • Lagoon in green and red，50 x 140 cm

  • Matlama

  • A las seis de la tarde

  • Samukelo, 40 x 110 cm

  • The crowd overlaps her sense of exile

  • Lagoon in blue and rose，50 x 140 cm

  • Tatenda

  • Demantibulated Sadness

  • They are watching over you, 60 x 180 cm

  • She looks more and more like the city

  • Lagoon in mauve，50 x 75 cm

  • Mapufa

  • Perched Vanities

  • La Traversée, 46 x 140 cm

  • She is among others without being there

  • Golden Lagoon，50 x 75 cm

  • Selena

  • Scattered cries

  • Double Deck, 46 x 140 cm

  • She borrows pieces of other people's lives

  • Rose Lagoon，50 x 75 cm

  • Tshidiso

  • The Tragedy of this Story

  • Frictions, 50 x 200 cm

  • She is always ahead of herself

  • Fields in green，50 x 75 cm

  • Tshepiso

  • Charade，60x90cm

  • BNF Goings, 46 x 140 cm

  • She keeps her thoughts for the future

  • Sacred Mountains，50 x 75 cm

  • Simphiwe

  • Deep down in the shady Garden

  • BlondLond, 46 x 140 cm

  • She will redo the journey backwards

  • Lagoon in black and blue，50 x 75 cm

  • Lerato

  • Roman Circles I, 40 x 200 cm

  • She cannot escape her own steps

  • Fields in white，50 x 75 cm

  • Bokang

  • Ageless Scenery

  • Roman Circles V, 40 x 200 cm

  • Her body becomes fluid, free in the crowd

  • Fields in gold, yellow and brown，50 x 75 cm

  • Matete

  • Last fight

  • Endless sunset, 60 x 180 cm

  • She forgets time and place

  • Lagoon in yellow，50 x 75 cm

  • Mamello

  • Passing the city through you, 40 x 150 cm

  • She lives in the city without being there

  • Lagoon in blue，50 x 75 cm

  • Obstacles superimpose each other

  • Her pace is incessant, distant

  • She is afraid she might have invented everything

  • She wonders if it is about rhythm or repetition

  • She tries to guess what will come next

  • She is intimate with certain parts of the city

  • Decisions follow one another

  • She makes up stories without faces