-
Nuits, 40 x 180 cm
-
Tangerine, 46 x 140 cm
-
He is coming, 90 x 160 cm
-
His Car Her Hair
-
She looks for culprits and offenders
-
She would like the city to unwind into her
-
The undresser - 01, 60x80cm
-
Les Dérangeuses III
-
Written in the white and wet II
-
9th Arrondissement
-
Belles de nuit V, 40 x 125 cm
-
Chimeras XXI
-
Sortilèges XVII
-
Golden Fields,50 x 210 cm
-
OROMBRE,100 x 50 cm
-
TGV Landscape I
-
Mediterranea II, 80 x 100 cm
-
Hellish miracles
-
HKNIT
-
Les Nuits du Couvre-Feu I
-
Blood in her words
-
We only have the time we live in, with all that we have, وى الوقت الذي نعيشه مع كل ما نملك (Ahmed Salman Assan Marzouki Saie Al Koufi, 1906 - 1991), 112 x 200 cm
-
Firelands I
-
What if the City was a big yard full of palmtrees ?
-
SarLaySar
-
Aquarium, 46 x 140 cm
-
Corleone, 100 x 180 cm
-
SelfCamera I
-
She dreams about what has not happened
-
Anonymous and intimate at the same time
-
The undresser - 02, 60x80cm
-
Les Dérangeuses VIII
-
Retours I
-
17th Arrondissement
-
Belles de nuit XII, 40 x 125 cm
-
Chimeras XXXIII
-
Sortilèges XX
-
Black Fields,50 x 210 cm
-
TRIVOR,100 x 50 cm
-
TGV Landscape II
-
Mediterranea II, 80 x 100 cm
-
Intensely she recovers possession of herself
-
Raincheck
-
Night Kunming
-
Les Nuits du Couvre-Feu II
-
Hidden and ahead
-
I walk down the street, I don't remember if it was white or purple, أمشي في الشارع، لا أدري إن كان أبيض أم قرمزي (Ahmed Kattouah, 1965 - )
-
Firelands XVII
-
Written sunshades
-
JudFarRen
-
Urban Ritual, 46 x 140 cm
-
Rambling, 100 x 140 cm
-
SelfCamera II
-
She looses herself in the dates and the places
-
She believes what she sees
-
The undresser - 03, 60x80cm
-
Les Dérangeuses IV
-
Allée avec elle I
-
2th Arrondissement
-
Belles de nuit VII, 40 x 125 cm
-
Chimeras I
-
Sortilèges XVIX
-
Fields and Curves in gold and brown, 50 x 210 cm
-
TREVE,100 x 50 cm
-
TGV Landscape III
-
Mediterranea I,60x90cm
-
Metro landscape
-
Stealthy Presence
-
Huimin Kunming Night
-
Les Nuits du Couvre-Feu XX
-
Five demands, not one less, I
-
Fake collision, 60x160 cm
-
In the air, the heart flew, by the light... في الهواء، كان القلب مُ حلِّ قاً، في أنوار التجلّ ي وقد بدَّ دَ ت ْ ظلمات التيه (Omar Ibrahim Al Bari, 1891 - 1959), 112 x 200 cm
-
Firelands V
-
It all becomes approachable
-
NorArwKay
-
Transient, 61 x 152 cm
-
Shelters (Cases), 90 x 220 cm
-
SelfCamera III
-
She hopes for an event
-
She retraces her steps but more slowly
-
The undresser - 04, 60x80cm
-
Les Dérangeuses V
-
Lapses I
-
15th Arrondissement
-
Belles de nuit III, 40 x 130 cm
-
Chimeras C
-
Sortilèges XXI
-
Fields in brown and white,50 x 210 cm
-
OBRUNE,100 x 50 cm
-
TGV Landscape VI
-
Presence VII
-
Today no one in my family has been shot
-
Mother Courage
-
Personal History
-
Les Nuits du Couvre-Feu XXX
-
Five demands, not one less, II
-
Maidan with her, 60x160cm
-
Beyrouth Frieze IV, 45 x 70 cm
-
How sad I would be if I did not meet you لكم كنت سأكون حزينا ً لو لم ألتقيك (Abdelaziz Al Moubarak, 1862 - 1941), 112 x 180 cm
-
Firelands XVIII
-
It just allows you to be there
-
RuqAmeRou
-
Presents, 46 x 140 cm
-
Stanza, 100 x 180 cm
-
SelfCamera IV
-
She thinks about what has not happened
-
The city passes through her face
-
The undresser - 05, 60x80cm
-
Les Dérangeuses VII
-
Written in the white and wet III
-
7th Arrondissement
-
Belles de nuit VI, 50 x 120 cm
-
Chimeras CI
-
Sortilèges XXII
-
Furrows in green and gold,50 x 210 cm
-
RIVERIES,100 x 50 cm
-
TGV Landscape V
-
Mediterranea IV
-
This incessant collision makes me feel at home
-
Abandoned Scene
-
Here
-
Les Nuits du Couvre-Feu L
-
Caught in a tramway act
-
Beyrouth Frieze V, 45 x 70 cm
-
Chance is here before it is there الفرصة موجودة قبل أن تكون هناك (Ibrahim Abdulaziz Alhosain, 1960 - ), 112 x 180 cm
-
Firelands II
-
The wind tells me to be here
-
MarEmiMun
-
N.Y.C.Y.C., 46 x 140 cm
-
Related, 100 x 180 cm
-
SelfCamera V
-
She commits herself to unreality
-
She runs like she loves
-
The undresser - 06, 60x80cm
-
Les Dérangeuses II
-
Tell me what she did not I
-
11th Arrondissement
-
Chimeras L
-
Sortilèges III
-
Lagoon in mauve and white,50 x 210 cm
-
ROSERT,100 x 50 cm
-
TGV Landscape VII
-
Trees and Bushes VI
-
Living in a difficult city becomes almost a privilege
-
The impossible House
-
Landmark
-
Les Nuits du Couvre-Feu VI
-
Pointing to the rebel
-
She hid her heart of love in her heart كانت تخبئ حبها في قلبها (Abdelaziz Al Moubarak, 1862 - 1941), 112 x 180 cm
-
Firelands VI
-
Hard on the outside, soft on the inside
-
HatChaRan
-
Passage, 46 x 140 cm
-
Them, them, them I, 100 x 180 cm
-
SelfCamera VI
-
She doesn’t know where the city ends
-
Her quest looks like fire
-
The undresser - 07, 60x80cm
-
Les Dérangeuses VI
-
Limon I
-
18th Arrondissement
-
Belles de nuit XIII, 60 x 87 cm
-
Chimeras II
-
Sortilèges XII
-
DORANGLE,100 x 50 cm
-
Mediterranea VII, 48 x 72 cm
-
Podil with Iryna
-
Turn away
-
Beixin Night
-
Les Nuits du Couvre-Feu LXXII
-
Yielding or escaping ?
-
Others understand us more than we do ourselves يفهمنا الآخرون أكثر مما نفهم أنفسنا (Ahmed Adboehman, 1949 - ), 112 x 180 cm
-
Firelands XIII
-
She belongs to the Night
-
FawHafRemRash
-
Silent Curtains, 46 x 140 cm
-
Louis, 100 x 180 cm
-
SelfCamera XXVII, 48x65cm
-
Her landmarks become mobile
-
Silhouettes mingle with each other
-
The undresser Nr/Vl, 80x116 cm
-
Les Dérangeuses I
-
Lapses II
-
4th Arrondissement
-
Belles de nuit XIV, 60 x 80 cm
-
Chimeras V
-
Lagoon in gold, blue and green,50 x 210 cm
-
ONORE,100 x 50 cm
-
Presence I
-
Fake collision
-
Pedestal
-
Screen Memory
-
Les Nuits du Couvre-Feu LXXI
-
There is no way back
-
Beyrouth Frieze VIII, 45 x 70 cm
-
And humans walked on Earth, guided وكان البشر يمشون في الأرض، مقتادين (Mohammed Al Amri, 1863 - 1931), 112 x 200 cm
-
Firelands XII
-
Gatherings I & II
-
JamSorMad
-
Upside down, 46 x 140 cm
-
Sevilaport, 100 x 140 cm
-
SelfCamera XXVIII
-
She keeps all these voices within herself
-
Citystreets make her feel clandestine
-
The undresser in white, 70x170cm
-
Les Dérangeuses XVII
-
Written in the white and wet I
-
6th Arrondissement
-
Belles de nuit XII, 75 x 100 cm
-
Chimeras VI
-
Sortilèges XV
-
Fields and walls,50 x 210 cm
-
SILVERE,100 x 50 cm
-
Presence V, 48 x 72 cm
-
City Leisure
-
In the Heart of Untruth
-
Tianhe
-
Les Nuits du Couvre-Feu LX
-
Some people moved on but not us
-
Showing the poetry of women and the pride of men إظهار شِ عر النساء وفخر الرجال (Ahmed Abdoehman, 1949 - ), 112 x 200 cm
-
Firelands XVI
-
Changing Moods
-
SamWaaCar
-
She, 46 x 140 cm
-
Directional piece, 110 x 185 cm
-
SelfCamera VII
-
Others are always already there
-
Les Dérangeuses XX
-
Written in white and wet III
-
20th Arrondissement
-
Chimeras III
-
Sortilèges II
-
Fields and Sky,50 x 210 cm
-
CORDORE,100 x 50 cm
-
Mediterranea VI
-
She confronts the street with gentleness
-
Ravages
-
Becoming a Painting
-
Les Nuits du Couvre-Feu LXX
-
Memories of a crowded city
-
This is how I look at life, at people, and at things هكذا أنظر إلى الحياة والناس والأشياء (Abdullah Alokibi, 1979 - ), 112 x 200 cm
-
Firelands XV
-
Welcoming in her paths
-
With her I, 45 x 75 cm
-
Alternance, 46 x 140 cm
-
Unrelated, 100 x 180 cm
-
SelfCamera VIII
-
All her landmarks become mobile
-
Les Dérangeuses XVI
-
15th Arrondissement
-
Belles de nuit I, 75 x 50 cm
-
Chimeras VII
-
Sortilèges XXV
-
Lagoon in green and grey,50 x 210 cm
-
MANOVOR,100 x 50 cm
-
Mediterranea VIII
-
A place to hide
-
Winning Trio
-
Shilin
-
Les Nuits du Couvre-Feu XLV
-
Standing with HK
-
I just want life to remain calm so that I can capture the beauty when it passes أتمنى أن تظل الحياة هادئة لالتقاط الجمال عندما يمر(Abdullah Alokibi, 1979 - ), 112 x 200 cm
-
Firelands III
-
Anchorage
-
With her III, 45 x 75 cm
-
Them, 46 x 140 cm
-
Lure, 100 x 180 cm
-
SelfCamera XI
-
Her road is known by everybody
-
16th Arrondissement
-
Belles de nuit X, 170 x 60 cm
-
Chimeras VIII
-
Sortilèges XXIV
-
Lagoon in green and blue,50 x 210 cm
-
LANGONE,100 x 50 cm
-
Presence VI
-
Back to daily life
-
Subjectivity without Respite
-
Lost in flowers
-
Les Nuits du Couvre-feu LXXX
-
She will never forget
-
Beyrouth Frieze XII, 45 x 70 cm
-
We sang for life to dance, which it often did, كنا نغني لترقص الحياة، وهو ما كانت تفعله دائما(Ahmed Adbodehman, 1949 - ), 112 x 200 cm
-
Firelands VII
-
Nature City I & II
-
With her II, 45 x 75 cm
-
TBA II, 30 x 175 cm
-
SelFSevilla III, 80 x 145 cm
-
SelfCamera XII
-
Desires remain warm under her footsteps
-
Les Dérangeuses XVIII
-
13th Arrondissement
-
Belles de nuit II, 170 x 60 cm
-
Chimeras XXVII
-
Sortilèges XXVIII
-
Lagoon in blue and red,50 x 210 cm
-
SCRIBLE,60 x 45 cm
-
Mediterranea IX
-
Ahead of us
-
Failure & Success
-
Lost in Yunnan
-
Can we still live normally ?
-
Beyrouth Frieze XIII, 45 x 70 cm
-
I wait for chance, I know it's on its way,أنتظر الصدفة، أعرف أنها في الطريق (Ibrahim Abdulaziz Alhosain, 1960 - ), 112 x 200 cm
-
Firelands VIII
-
The city meets the desert
-
EmiAme
-
TBA I, 30 x 175 cm
-
BMOne, 90 x 120 cm
-
SelfCamera XV
-
She is haunted by rubs, swishes, rustles
-
Les Dérangeuses XII
-
2th Arrondissement
-
Chimeras IV
-
Lagoon in blue and black,50 x 210 cm
-
IL,60 x 45 cm
-
Mediterranea X
-
Fathers and Sons
-
Carnival Outbreak
-
Experience
-
La résistance devient un devoir
-
Beyrouth Frieze XIV, 45 x 70 cm
-
They seek the mysteries of the entire universe by opening doors, يبحثون عن أسرار الكون بأسره حين يُ شرّ عون الأبواب (Fouad Ben Hassan Al Khateeb, 1880 - 1957), 112 x 200 cm
-
Firelands IV
-
I draw my strength
-
SarFar
-
Disorder, 46 x 140 cm
-
Del Carmine, 70 x 125 cm
-
SelfCamera XVI
-
All this is about rhythm or repetition ?
-
Les Dérangeuses XI
-
12th Arrondissement
-
Chimeras XVII
-
Lagoon in blue and white,50 x 210 cm
-
BOLME,60 x 45 cm
-
Facing you, 60 x 90 cm
-
She finds her way by following the impact of bullets
-
Waiting without desire
-
Doubts
-
11.08 / 8:09 He left us
-
Beyrouth Frieze XV, 45 x 70 cm
-
I wish my life had a beautiful destiny, that the first love was the right one... ً ، أن يكون الحب الأول هو الصحيحاأَوَ دُّ أن يكون لحياتي قدرا ً جمي (Ahmed Alali, 1986 - ), 112 x 200 cm
-
Firelands XI
-
Flying Life
-
WafNouRou
-
Crossing II, 46 x 140 cm
-
Dara, 100 x 180 cm
-
SelfCamera XIX
-
She confuses words and faces
-
Les Dérangeuses XIV
-
14th Arrondissement
-
Chimeras XIII
-
Greenhouses, 50 x 210 cm
-
ILOR,60 x 45 cm
-
Panorama I, 60 x 110 cm
-
Together
-
And they are still dancing
-
Night
-
HK Conscience
-
Like time, she refuses to disappear, كالوقت، تأبى الاختفاء (Fouad Ben Hassan El Khateeb, 1880 - 1957), 112 x 200 cm
-
Firelands IX
-
AbiWafWaa
-
Crossing I, 46 x 140 cm
-
Divagations, 80 x 150 cm
-
SelfCamera XX
-
The city cuts off speech
-
Les Dérangeuses L
-
13th Arrondissement
-
Chimeras IX
-
Fields and Flowers,50 x 210 cm
-
CORPORE,60 x 45 cm
-
Panorama V, 60 x 130 cm
-
New thoughts
-
Merrymakers
-
Going Evening
-
Clouds VS chaos
-
She seeks the mysteries of the entire universe, تبحث عن أسرار الكون بأسره (Fouad Ben Hassan Al Khateeb, 1880 - 1957), 112 x 150 cm
-
Firelands XIV
-
SArWaaBel
-
Mingling, 46 x 140 cm
-
Variables, 110 x 150 cm
-
SelfCamera XXV
-
The city rumble says nothing
-
Les Dérangeuses XV
-
1st Arrondissement
-
Chimeras XI
-
Fields and Grass of red, green and gold,50 x 210 cm
-
MID,60 x 45 cm
-
Panorama II, 60 x 130 cm
-
Intense gathering
-
The end of a killer's life
-
Guxan Hutong
-
The scent of the oud perfumes the beads inside the pearly fabrics رائحة العود تفوح من اللآلئ في الأقمشة الصدفية (Khaled Ben Mohamed Al Faraj, 1898 - 1954), 112 x 200 cm
-
Firelands X
-
AbiSarRas
-
Hold up, 46 x 140 cm
-
Mad III, 80 x 140 cm
-
SelfCamera XXIV
-
She likes the city better than her own life
-
Les Dérangeuses XIX
-
3th Arrondissement
-
Chimeras X
-
Fields and Grass of gold, green and brown, 50 x 210 cm
-
SILLOR,60 x 45 cm
-
Panorama VII, 60 x 110 cm
-
Woman park
-
Extreme Promise
-
Composition
-
Every week, Medinans and visitors from Medina would meet in his garden, كل أسبوع كان يلتقي سكان المدينة وزوارها في حديقتها(Abdel Jalil Barada, 1835 - 1909), 112 x 200 cm
-
SarFawCat
-
Escalator, 46 x 140 cm
-
Mad II, 80 x 140 cm
-
SelfCamera XVII
-
She plays the city's game
-
5th Arrondissement
-
Chimeras XV
-
CLOISE,60 x 45 cm
-
Panorama IV, 60 x 90 cm
-
Post-Melancholia
-
Recollections
-
If you listen to things carefully, you can hear them sing, يكفي أن تصغي للأشياء لكي تسمعها تغني (Ahmed Adbodehman, 1949 - ), 112 x 200 cm
-
AmeFawKhl
-
Golden space, 46 x 140 cm
-
Mad I, 80 x 140 cm
-
SelfCamera XVIII
-
She naturally follows confusion, chaos
-
Les Dérangeuses LXXV
-
4th Arrondissement
-
Chimeras XII
-
Brown Furrows,50 x 140 cm
-
TERMOR,60 x 45 cm
-
Panorama VI, 60 x 130 cm
-
Mirage Bedroom
-
Private Message
-
When tomorrow comes we don't know what we will be, لا ندري ما سيكون مصيرنا غدا (Ahmed Salman Assan Marzouki Saie Al Koufi, 1906 - 1991), 112 x 150 cm
-
FawAmeWaa
-
Ocre majeur, 46 x 140 cm
-
Ils, 60 x 120 cm
-
SelfCamera XIII
-
She snuggles into city's folds
-
Les Dérangeuses XXXIII
-
Fields of red and gold,50 x 140 cm
-
BRANOR,60 x 45 cm
-
Panorama XI, 60 x 195 cm
-
Comings and goings
-
Walk the Talk
-
Deep Thoughts
-
At the end of the day, the winds were blowing in all four directions, في نهاية هذا اليوم، كانت الريح تعصف في الاتجاهات الأربعة (Yusuf Al Muhaymid, 1964 - ), 112 x 200 cm
-
Along Madison, 46 x 140 cm
-
RT2, 60 x 120 cm
-
SelfCamera XIV
-
She pretends to be transparent
-
Les Dérangeuses LII
-
Fields in green and mauve,50 x 140 cm
-
IMBER,60 x 45 cm
-
Panorama VIII, 60 x 180 cm
-
Free orientation
-
Rubbish Forest
-
Exchange
-
Without hesitation, she pierces the wind, بدون تردد، تخترق الريح (Ibrahim Ben Hassan Ben Hossein Al Eskouby, 1854 - 1914), 112 x 200 cm
-
Ionian, 46 x 140 cm
-
Elles, 60 x 120 cm
-
SelfCamera XXI
-
Multitude makes her doubt her existence
-
Fields in orange and gold,50 x 140 cm
-
CORE,60 x 45 cm
-
Panorama XII, 60 x 180 cm
-
End of the day with them
-
Magician
-
Choice
-
Me, bird feather; And the love of a little girl; Gone with the wind, ذهب مع الريح وحب فتاة أنا، ريشة عصفور (Salman Aljarbou, 1978 - ), 112 x 200 cm
-
Situations, 61 x 152 cm
-
Les Clandestins, 90 x 220 cm
-
SelfCamera XXII
-
The visible hidden by the visible
-
Dunes in red and black,50 x 140 cm
-
RIVOR,80 x 120 cm
-
Panorama XV, 60 x 180 cm
-
The Imagined Future
-
Dangan Jasmine
-
I am a whole family. I am all that, أنا كل ذلك أنا عائلة كاملة (Abdullah Al-Moshin, 1997 - ), 112 x 200 cm
-
Watersky, 46 x 140 cm
-
Figures, 100 x 200 cm
-
SelfCamera IX
-
Meaning comes back little by little
-
Golden furrows,50 x 140 cm
-
CENDROSE,80 x 120 cm
-
Panorama XVII, 60 x 150 cm
-
Today none from my family was killed
-
Laughing Fits and Cold Sweats
-
Project
-
She listens to the invisible echo, تصغي إلى الصدى المرئي (Fouad Ben Hassan Al Khateeb, 1880 - 1957), 112 x 200 cm
-
Toy city, 46 x 140 cm
-
Survival, 60 x 120 cm
-
SelfCamera X
-
Every new face brings the city closer
-
Furrows in gold and orange, 50 x 140 cm
-
SOR,80 x 120 cm
-
Panorama XVI, 60 x 150 cm
-
The Graves Maid
-
Fade-in
-
Poetry comes from everywhere, يأتي الشعر من كل مكان (Ahmad Al Fageeh, 1967 - ), 112 x 200 cm
-
Rapture, 152 x 61 cm
-
Multi voices, 60 x 120 cm
-
SelfCamera XXX
-
She has choosen a scattered path
-
Burnt Furrows,50 x 140 cm
-
LOUCHLES,80 x 120 cm
-
Blacklisted Museum
-
Radiance, إشعاع (Solaiman Ben Sahmane, 1851 - 1929), 112 x 200 cm
-
Parade, 152 x 61 cm
-
Folla, 60 x 120 cm
-
SelfCamera XXXI
-
Accumulated presences impregnate her body
-
Fields in gold and green,50 x 140 cm
-
AMBRANE,80 x 120 cm
-
Panorama III, 60 x 130 cm
-
Beyrouth Frieze I, 45 x 70 cm
-
Heavenly murders
-
The nights are only lines drawn on stones..., الليالي فيها ليست سوى خطوط مُ سَ طَّ رة على حجارة (Khaled Ben Mohamed Al Faraj, 1898 - 1954), 112 x 150 cm
-
Waterskyglass, 152 x 61 cm
-
The Heroine, 50 x 150 cm
-
SelfCamera XXIII
-
Others are always already there
-
Fields and Grass of gold, green and brown,50 x 140 cm
-
LASSORE,80 x 120 cm
-
Panorama X, 60 x 180 cm
-
Beyrouth Frieze IX, 45 x 70 cm
-
Games of Power
-
The train overcomes the wind..., (Ibrahim Ben Hassan Ben Hossein Al Eskouby, 1854 - 1914), 112 x 200 cm
-
Wrapped, 152 x 61 cm
-
Panorama, 90 x 120 cm
-
She likes to slow down her perceptions
-
Fields in black and ochre,50 x 140 cm
-
ORORE,80 x 120 cm
-
Panorama IX, 60 x 180 cm
-
Beyrouth Frieze VII, 45 x 70 cm
-
Imminence
-
The peninsula sang and drank to the nights..., غَ نَّ ت شبه الجزيرة وسقتها الليالي التي كان يلمع البرق ويدوي الرعد فيها(Khairuddin Zirkali, 1893 - ?), 112 x 200 cm
-
In the middle of it, 152 x 61 cm
-
Lost in green and glass, 90 x 160 cm
-
Together only once
-
Curves in gold and grey,50 x 140 cm
-
PLANOR,80 x 120 cm
-
Panorama XIII, 60 x 140 cm
-
Beyrouth Frieze III, 45 x 70 cm
-
Reversed Chimeras
-
A night that calmly fulfills its idea, ليلة ٌ تؤدي فكرتَ ها بهدوء (Fatema Almohsen, 1972 - ), 112 x 200 cm
-
Lost and found, 152 x 61 cm
-
BNFBlue, 90 x 120 cm
-
Her thoughts arise crosswise
-
Dunes in black,50 x 140 cm
-
LEIGNES,80 x 120 cm
-
Panorama XIV, 60 x 190 cm
-
Beyrouth Frieze I, 45 x 70 cm
-
Her Home
-
The sky is part of the mountains; In our land, the rain does not fall, it rises, السماء عندنا جزء من الجبال. في قريتي لا يسقط المطر كعادته، بل يصعد. (Ahmed Adbodehman, 1949 - ), 112 x 200 cm
-
See you, see me, 152 x 61 cm
-
Playground, 90 x 120 cm
-
Encounters expand space
-
Fields in gold and white,50 x 140 cm
-
Presence IV, 48 x 42 cm
-
Beyrouth Frieze II, 45 x 70 cm
-
Resounding Cavalcade
-
Multistories, 152 x 61 cm
-
Heaven and Earth, 90 x 210 cm
-
She imagines an inverted city
-
Brown Furrows,50 x 140 cm
-
Beyrouth Frieze XI, 45 x 70 cm
-
Between two Tempests
-
Beachscape I, 152 x 61 cm
-
Elles at BM, 50 x 100 cm
-
Circuits are jammed
-
Furrows in grey and gold,50 x 140 cm
-
Beyrouth Frieze X, 45 x 70 cm
-
Deliquescences
-
Parlando con te, 50 x 100 cm
-
Words skip from face to face
-
Fields in gold and brown,50 x 140 cm
-
Mediterranea V, 48 x 72 cm
-
Hlompho
-
Surveillance,60x90cm
-
Jacaranda trip, 80 x 180 cm
-
She claims no fixed identity
-
Fields in green and gold,50 x 140 cm
-
Presence III, 48 x 72 cm
-
Forgotten mischief
-
LWomen, 46 x 140 cm
-
Her perspective puts her on the sideline
-
Burnt Fields,50 x 140 cm
-
Trees and Bushes I, 48 x 72 cm
-
Audacity
-
Selena, 40 x 110 cm
-
Her encounters bounce off one another
-
Lagoon in green and red,50 x 140 cm
-
Matlama
-
A las seis de la tarde
-
Samukelo, 40 x 110 cm
-
The crowd overlaps her sense of exile
-
Lagoon in blue and rose,50 x 140 cm
-
Tatenda
-
Demantibulated Sadness
-
They are watching over you, 60 x 180 cm
-
She looks more and more like the city
-
Lagoon in mauve,50 x 75 cm
-
Mapufa
-
Perched Vanities
-
La Traversée, 46 x 140 cm
-
She is among others without being there
-
Golden Lagoon,50 x 75 cm
-
Selena
-
Scattered cries
-
Double Deck, 46 x 140 cm
-
She borrows pieces of other people's lives
-
Rose Lagoon,50 x 75 cm
-
Tshidiso
-
The Tragedy of this Story
-
Frictions, 50 x 200 cm
-
She is always ahead of herself
-
Fields in green,50 x 75 cm
-
Tshepiso
-
Charade,60x90cm
-
BNF Goings, 46 x 140 cm
-
She keeps her thoughts for the future
-
Sacred Mountains,50 x 75 cm
-
Simphiwe
-
Deep down in the shady Garden
-
BlondLond, 46 x 140 cm
-
She will redo the journey backwards
-
Lagoon in black and blue,50 x 75 cm
-
Lerato
-
Roman Circles I, 40 x 200 cm
-
She cannot escape her own steps
-
Fields in white,50 x 75 cm
-
Bokang
-
Ageless Scenery
-
Roman Circles V, 40 x 200 cm
-
Her body becomes fluid, free in the crowd
-
Fields in gold, yellow and brown,50 x 75 cm
-
Matete
-
Last fight
-
Endless sunset, 60 x 180 cm
-
She forgets time and place
-
Lagoon in yellow,50 x 75 cm
-
Mamello
-
Passing the city through you, 40 x 150 cm
-
She lives in the city without being there
-
Lagoon in blue,50 x 75 cm
-
Obstacles superimpose each other
-
Her pace is incessant, distant
-
She is afraid she might have invented everything
-
She wonders if it is about rhythm or repetition
-
She tries to guess what will come next
-
She is intimate with certain parts of the city
-
Decisions follow one another
-
She makes up stories without faces

Nuits, 40 x 180 cm

Tangerine, 46 x 140 cm

He is coming, 90 x 160 cm

His Car Her Hair

She looks for culprits and offenders

She would like the city to unwind into her

The undresser - 01, 60x80cm

Les Dérangeuses III

Written in the white and wet II

9th Arrondissement

Belles de nuit V, 40 x 125 cm

Chimeras XXI

Sortilèges XVII

Golden Fields,50 x 210 cm

OROMBRE,100 x 50 cm

TGV Landscape I

Mediterranea II, 80 x 100 cm

Hellish miracles

HKNIT

Les Nuits du Couvre-Feu I

Blood in her words

We only have the time we live in, with all that we have, وى الوقت الذي نعيشه مع كل ما نملك (Ahmed Salman Assan Marzouki Saie Al Koufi, 1906 - 1991), 112 x 200 cm

Firelands I

What if the City was a big yard full of palmtrees ?

SarLaySar

Aquarium, 46 x 140 cm

Corleone, 100 x 180 cm

SelfCamera I

She dreams about what has not happened

Anonymous and intimate at the same time

The undresser - 02, 60x80cm

Les Dérangeuses VIII

Retours I

17th Arrondissement

Belles de nuit XII, 40 x 125 cm

Chimeras XXXIII

Sortilèges XX

Black Fields,50 x 210 cm

TRIVOR,100 x 50 cm

TGV Landscape II

Mediterranea II, 80 x 100 cm

Intensely she recovers possession of herself

Raincheck

Night Kunming

Les Nuits du Couvre-Feu II

Hidden and ahead

I walk down the street, I don't remember if it was white or purple, أمشي في الشارع، لا أدري إن كان أبيض أم قرمزي (Ahmed Kattouah, 1965 - )

Firelands XVII

Written sunshades

JudFarRen

Urban Ritual, 46 x 140 cm

Rambling, 100 x 140 cm

SelfCamera II

She looses herself in the dates and the places

She believes what she sees

The undresser - 03, 60x80cm

Les Dérangeuses IV

Allée avec elle I

2th Arrondissement

Belles de nuit VII, 40 x 125 cm

Chimeras I

Sortilèges XVIX

Fields and Curves in gold and brown, 50 x 210 cm

TREVE,100 x 50 cm

TGV Landscape III

Mediterranea I,60x90cm

Metro landscape

Stealthy Presence

Huimin Kunming Night

Les Nuits du Couvre-Feu XX

Five demands, not one less, I

Fake collision, 60x160 cm

In the air, the heart flew, by the light... في الهواء، كان القلب مُ حلِّ قاً، في أنوار التجلّ ي وقد بدَّ دَ ت ْ ظلمات التيه (Omar Ibrahim Al Bari, 1891 - 1959), 112 x 200 cm

Firelands V

It all becomes approachable

NorArwKay

Transient, 61 x 152 cm

Shelters (Cases), 90 x 220 cm

SelfCamera III

She hopes for an event

She retraces her steps but more slowly

The undresser - 04, 60x80cm

Les Dérangeuses V

Lapses I

15th Arrondissement

Belles de nuit III, 40 x 130 cm

Chimeras C

Sortilèges XXI

Fields in brown and white,50 x 210 cm

OBRUNE,100 x 50 cm

TGV Landscape VI

Presence VII

Today no one in my family has been shot

Mother Courage

Personal History

Les Nuits du Couvre-Feu XXX

Five demands, not one less, II

Maidan with her, 60x160cm

Beyrouth Frieze IV, 45 x 70 cm

How sad I would be if I did not meet you لكم كنت سأكون حزينا ً لو لم ألتقيك (Abdelaziz Al Moubarak, 1862 - 1941), 112 x 180 cm

Firelands XVIII

It just allows you to be there

RuqAmeRou

Presents, 46 x 140 cm

Stanza, 100 x 180 cm

SelfCamera IV

She thinks about what has not happened

The city passes through her face

The undresser - 05, 60x80cm

Les Dérangeuses VII

Written in the white and wet III

7th Arrondissement

Belles de nuit VI, 50 x 120 cm

Chimeras CI

Sortilèges XXII

Furrows in green and gold,50 x 210 cm

RIVERIES,100 x 50 cm

TGV Landscape V

Mediterranea IV

This incessant collision makes me feel at home

Abandoned Scene

Here

Les Nuits du Couvre-Feu L

Caught in a tramway act

Beyrouth Frieze V, 45 x 70 cm

Chance is here before it is there الفرصة موجودة قبل أن تكون هناك (Ibrahim Abdulaziz Alhosain, 1960 - ), 112 x 180 cm

Firelands II

The wind tells me to be here

MarEmiMun

N.Y.C.Y.C., 46 x 140 cm

Related, 100 x 180 cm

SelfCamera V

She commits herself to unreality

She runs like she loves

The undresser - 06, 60x80cm

Les Dérangeuses II

Tell me what she did not I

11th Arrondissement

Chimeras L

Sortilèges III

Lagoon in mauve and white,50 x 210 cm

ROSERT,100 x 50 cm

TGV Landscape VII

Trees and Bushes VI

Living in a difficult city becomes almost a privilege

The impossible House

Landmark

Les Nuits du Couvre-Feu VI

Pointing to the rebel

She hid her heart of love in her heart كانت تخبئ حبها في قلبها (Abdelaziz Al Moubarak, 1862 - 1941), 112 x 180 cm

Firelands VI

Hard on the outside, soft on the inside

HatChaRan

Passage, 46 x 140 cm

Them, them, them I, 100 x 180 cm

SelfCamera VI

She doesn’t know where the city ends

Her quest looks like fire

The undresser - 07, 60x80cm

Les Dérangeuses VI

Limon I

18th Arrondissement

Belles de nuit XIII, 60 x 87 cm

Chimeras II

Sortilèges XII

DORANGLE,100 x 50 cm

Mediterranea VII, 48 x 72 cm

Podil with Iryna

Turn away

Beixin Night

Les Nuits du Couvre-Feu LXXII

Yielding or escaping ?

Others understand us more than we do ourselves يفهمنا الآخرون أكثر مما نفهم أنفسنا (Ahmed Adboehman, 1949 - ), 112 x 180 cm

Firelands XIII

She belongs to the Night

FawHafRemRash

Silent Curtains, 46 x 140 cm

Louis, 100 x 180 cm

SelfCamera XXVII, 48x65cm

Her landmarks become mobile

Silhouettes mingle with each other

The undresser Nr/Vl, 80x116 cm

Les Dérangeuses I

Lapses II

4th Arrondissement

Belles de nuit XIV, 60 x 80 cm

Chimeras V

Lagoon in gold, blue and green,50 x 210 cm

ONORE,100 x 50 cm

Presence I

Fake collision

Pedestal

Screen Memory

Les Nuits du Couvre-Feu LXXI

There is no way back

Beyrouth Frieze VIII, 45 x 70 cm

And humans walked on Earth, guided وكان البشر يمشون في الأرض، مقتادين (Mohammed Al Amri, 1863 - 1931), 112 x 200 cm

Firelands XII

Gatherings I & II

JamSorMad

Upside down, 46 x 140 cm

Sevilaport, 100 x 140 cm

SelfCamera XXVIII

She keeps all these voices within herself

Citystreets make her feel clandestine

The undresser in white, 70x170cm

Les Dérangeuses XVII

Written in the white and wet I

6th Arrondissement

Belles de nuit XII, 75 x 100 cm

Chimeras VI

Sortilèges XV

Fields and walls,50 x 210 cm

SILVERE,100 x 50 cm

Presence V, 48 x 72 cm

City Leisure

In the Heart of Untruth

Tianhe

Les Nuits du Couvre-Feu LX

Some people moved on but not us

Showing the poetry of women and the pride of men إظهار شِ عر النساء وفخر الرجال (Ahmed Abdoehman, 1949 - ), 112 x 200 cm

Firelands XVI

Changing Moods

SamWaaCar

She, 46 x 140 cm

Directional piece, 110 x 185 cm

SelfCamera VII

Others are always already there

Les Dérangeuses XX

Written in white and wet III

20th Arrondissement

Chimeras III

Sortilèges II

Fields and Sky,50 x 210 cm

CORDORE,100 x 50 cm

Mediterranea VI

She confronts the street with gentleness

Ravages

Becoming a Painting

Les Nuits du Couvre-Feu LXX

Memories of a crowded city

This is how I look at life, at people, and at things هكذا أنظر إلى الحياة والناس والأشياء (Abdullah Alokibi, 1979 - ), 112 x 200 cm

Firelands XV

Welcoming in her paths

With her I, 45 x 75 cm

Alternance, 46 x 140 cm

Unrelated, 100 x 180 cm

SelfCamera VIII

All her landmarks become mobile

Les Dérangeuses XVI

15th Arrondissement

Belles de nuit I, 75 x 50 cm

Chimeras VII

Sortilèges XXV

Lagoon in green and grey,50 x 210 cm

MANOVOR,100 x 50 cm

Mediterranea VIII

A place to hide

Winning Trio

Shilin

Les Nuits du Couvre-Feu XLV

Standing with HK

I just want life to remain calm so that I can capture the beauty when it passes أتمنى أن تظل الحياة هادئة لالتقاط الجمال عندما يمر(Abdullah Alokibi, 1979 - ), 112 x 200 cm

Firelands III

Anchorage

With her III, 45 x 75 cm

Them, 46 x 140 cm

Lure, 100 x 180 cm

SelfCamera XI

Her road is known by everybody

16th Arrondissement

Belles de nuit X, 170 x 60 cm

Chimeras VIII

Sortilèges XXIV

Lagoon in green and blue,50 x 210 cm

LANGONE,100 x 50 cm

Presence VI

Back to daily life

Subjectivity without Respite

Lost in flowers

Les Nuits du Couvre-feu LXXX

She will never forget

Beyrouth Frieze XII, 45 x 70 cm

We sang for life to dance, which it often did, كنا نغني لترقص الحياة، وهو ما كانت تفعله دائما(Ahmed Adbodehman, 1949 - ), 112 x 200 cm

Firelands VII

Nature City I & II

With her II, 45 x 75 cm

TBA II, 30 x 175 cm

SelFSevilla III, 80 x 145 cm

SelfCamera XII

Desires remain warm under her footsteps

Les Dérangeuses XVIII

13th Arrondissement

Belles de nuit II, 170 x 60 cm

Chimeras XXVII

Sortilèges XXVIII

Lagoon in blue and red,50 x 210 cm

SCRIBLE,60 x 45 cm

Mediterranea IX

Ahead of us

Failure & Success

Lost in Yunnan

Can we still live normally ?

Beyrouth Frieze XIII, 45 x 70 cm

I wait for chance, I know it's on its way,أنتظر الصدفة، أعرف أنها في الطريق (Ibrahim Abdulaziz Alhosain, 1960 - ), 112 x 200 cm

Firelands VIII

The city meets the desert

EmiAme

TBA I, 30 x 175 cm

BMOne, 90 x 120 cm

SelfCamera XV

She is haunted by rubs, swishes, rustles

Les Dérangeuses XII

2th Arrondissement

Chimeras IV

Lagoon in blue and black,50 x 210 cm

IL,60 x 45 cm

Mediterranea X

Fathers and Sons

Carnival Outbreak

Experience

La résistance devient un devoir

Beyrouth Frieze XIV, 45 x 70 cm

They seek the mysteries of the entire universe by opening doors, يبحثون عن أسرار الكون بأسره حين يُ شرّ عون الأبواب (Fouad Ben Hassan Al Khateeb, 1880 - 1957), 112 x 200 cm

Firelands IV

I draw my strength

SarFar

Disorder, 46 x 140 cm

Del Carmine, 70 x 125 cm

SelfCamera XVI

All this is about rhythm or repetition ?

Les Dérangeuses XI

12th Arrondissement

Chimeras XVII

Lagoon in blue and white,50 x 210 cm

BOLME,60 x 45 cm

Facing you, 60 x 90 cm

She finds her way by following the impact of bullets

Waiting without desire

Doubts

11.08 / 8:09 He left us

Beyrouth Frieze XV, 45 x 70 cm

I wish my life had a beautiful destiny, that the first love was the right one... ً ، أن يكون الحب الأول هو الصحيحاأَوَ دُّ أن يكون لحياتي قدرا ً جمي (Ahmed Alali, 1986 - ), 112 x 200 cm

Firelands XI

Flying Life

WafNouRou

Crossing II, 46 x 140 cm

Dara, 100 x 180 cm

SelfCamera XIX

She confuses words and faces

Les Dérangeuses XIV

14th Arrondissement

Chimeras XIII

Greenhouses, 50 x 210 cm

ILOR,60 x 45 cm

Panorama I, 60 x 110 cm

Together

And they are still dancing

Night

HK Conscience

Like time, she refuses to disappear, كالوقت، تأبى الاختفاء (Fouad Ben Hassan El Khateeb, 1880 - 1957), 112 x 200 cm

Firelands IX

AbiWafWaa

Crossing I, 46 x 140 cm

Divagations, 80 x 150 cm

SelfCamera XX

The city cuts off speech

Les Dérangeuses L

13th Arrondissement

Chimeras IX

Fields and Flowers,50 x 210 cm

CORPORE,60 x 45 cm

Panorama V, 60 x 130 cm

New thoughts

Merrymakers

Going Evening

Clouds VS chaos

She seeks the mysteries of the entire universe, تبحث عن أسرار الكون بأسره (Fouad Ben Hassan Al Khateeb, 1880 - 1957), 112 x 150 cm

Firelands XIV

SArWaaBel

Mingling, 46 x 140 cm

Variables, 110 x 150 cm

SelfCamera XXV

The city rumble says nothing

Les Dérangeuses XV

1st Arrondissement

Chimeras XI

Fields and Grass of red, green and gold,50 x 210 cm

MID,60 x 45 cm

Panorama II, 60 x 130 cm

Intense gathering

The end of a killer's life

Guxan Hutong

The scent of the oud perfumes the beads inside the pearly fabrics رائحة العود تفوح من اللآلئ في الأقمشة الصدفية (Khaled Ben Mohamed Al Faraj, 1898 - 1954), 112 x 200 cm

Firelands X

AbiSarRas

Hold up, 46 x 140 cm

Mad III, 80 x 140 cm

SelfCamera XXIV

She likes the city better than her own life

Les Dérangeuses XIX

3th Arrondissement

Chimeras X

Fields and Grass of gold, green and brown, 50 x 210 cm

SILLOR,60 x 45 cm

Panorama VII, 60 x 110 cm

Woman park

Extreme Promise

Composition

Every week, Medinans and visitors from Medina would meet in his garden, كل أسبوع كان يلتقي سكان المدينة وزوارها في حديقتها(Abdel Jalil Barada, 1835 - 1909), 112 x 200 cm

SarFawCat

Escalator, 46 x 140 cm

Mad II, 80 x 140 cm

SelfCamera XVII

She plays the city's game

5th Arrondissement

Chimeras XV

CLOISE,60 x 45 cm

Panorama IV, 60 x 90 cm

Post-Melancholia

Recollections

If you listen to things carefully, you can hear them sing, يكفي أن تصغي للأشياء لكي تسمعها تغني (Ahmed Adbodehman, 1949 - ), 112 x 200 cm

AmeFawKhl

Golden space, 46 x 140 cm

Mad I, 80 x 140 cm

SelfCamera XVIII

She naturally follows confusion, chaos

Les Dérangeuses LXXV

4th Arrondissement

Chimeras XII

Brown Furrows,50 x 140 cm

TERMOR,60 x 45 cm

Panorama VI, 60 x 130 cm

Mirage Bedroom

Private Message

When tomorrow comes we don't know what we will be, لا ندري ما سيكون مصيرنا غدا (Ahmed Salman Assan Marzouki Saie Al Koufi, 1906 - 1991), 112 x 150 cm

FawAmeWaa

Ocre majeur, 46 x 140 cm

Ils, 60 x 120 cm

SelfCamera XIII

She snuggles into city's folds

Les Dérangeuses XXXIII

Fields of red and gold,50 x 140 cm

BRANOR,60 x 45 cm

Panorama XI, 60 x 195 cm

Comings and goings

Walk the Talk

Deep Thoughts

At the end of the day, the winds were blowing in all four directions, في نهاية هذا اليوم، كانت الريح تعصف في الاتجاهات الأربعة (Yusuf Al Muhaymid, 1964 - ), 112 x 200 cm

Along Madison, 46 x 140 cm

RT2, 60 x 120 cm

SelfCamera XIV

She pretends to be transparent

Les Dérangeuses LII

Fields in green and mauve,50 x 140 cm

IMBER,60 x 45 cm

Panorama VIII, 60 x 180 cm

Free orientation

Rubbish Forest

Exchange

Without hesitation, she pierces the wind, بدون تردد، تخترق الريح (Ibrahim Ben Hassan Ben Hossein Al Eskouby, 1854 - 1914), 112 x 200 cm

Ionian, 46 x 140 cm

Elles, 60 x 120 cm

SelfCamera XXI

Multitude makes her doubt her existence

Fields in orange and gold,50 x 140 cm

CORE,60 x 45 cm

Panorama XII, 60 x 180 cm

End of the day with them

Magician

Choice

Me, bird feather; And the love of a little girl; Gone with the wind, ذهب مع الريح وحب فتاة أنا، ريشة عصفور (Salman Aljarbou, 1978 - ), 112 x 200 cm

Situations, 61 x 152 cm

Les Clandestins, 90 x 220 cm

SelfCamera XXII

The visible hidden by the visible

Dunes in red and black,50 x 140 cm

RIVOR,80 x 120 cm

Panorama XV, 60 x 180 cm

The Imagined Future

Dangan Jasmine

I am a whole family. I am all that, أنا كل ذلك أنا عائلة كاملة (Abdullah Al-Moshin, 1997 - ), 112 x 200 cm

Watersky, 46 x 140 cm

Figures, 100 x 200 cm

SelfCamera IX

Meaning comes back little by little

Golden furrows,50 x 140 cm

CENDROSE,80 x 120 cm

Panorama XVII, 60 x 150 cm

Today none from my family was killed

Laughing Fits and Cold Sweats

Project

She listens to the invisible echo, تصغي إلى الصدى المرئي (Fouad Ben Hassan Al Khateeb, 1880 - 1957), 112 x 200 cm

Toy city, 46 x 140 cm

Survival, 60 x 120 cm

SelfCamera X

Every new face brings the city closer

Furrows in gold and orange, 50 x 140 cm

SOR,80 x 120 cm

Panorama XVI, 60 x 150 cm

The Graves Maid

Fade-in

Poetry comes from everywhere, يأتي الشعر من كل مكان (Ahmad Al Fageeh, 1967 - ), 112 x 200 cm

Rapture, 152 x 61 cm

Multi voices, 60 x 120 cm

SelfCamera XXX

She has choosen a scattered path

Burnt Furrows,50 x 140 cm

LOUCHLES,80 x 120 cm

Blacklisted Museum

Radiance, إشعاع (Solaiman Ben Sahmane, 1851 - 1929), 112 x 200 cm

Parade, 152 x 61 cm

Folla, 60 x 120 cm

SelfCamera XXXI

Accumulated presences impregnate her body

Fields in gold and green,50 x 140 cm

AMBRANE,80 x 120 cm

Panorama III, 60 x 130 cm

Beyrouth Frieze I, 45 x 70 cm

Heavenly murders

The nights are only lines drawn on stones..., الليالي فيها ليست سوى خطوط مُ سَ طَّ رة على حجارة (Khaled Ben Mohamed Al Faraj, 1898 - 1954), 112 x 150 cm

Waterskyglass, 152 x 61 cm

The Heroine, 50 x 150 cm

SelfCamera XXIII

Others are always already there

Fields and Grass of gold, green and brown,50 x 140 cm

LASSORE,80 x 120 cm

Panorama X, 60 x 180 cm

Beyrouth Frieze IX, 45 x 70 cm

Games of Power

The train overcomes the wind..., (Ibrahim Ben Hassan Ben Hossein Al Eskouby, 1854 - 1914), 112 x 200 cm

Wrapped, 152 x 61 cm

Panorama, 90 x 120 cm

She likes to slow down her perceptions

Fields in black and ochre,50 x 140 cm

ORORE,80 x 120 cm

Panorama IX, 60 x 180 cm

Beyrouth Frieze VII, 45 x 70 cm

Imminence

The peninsula sang and drank to the nights..., غَ نَّ ت شبه الجزيرة وسقتها الليالي التي كان يلمع البرق ويدوي الرعد فيها(Khairuddin Zirkali, 1893 - ?), 112 x 200 cm

In the middle of it, 152 x 61 cm

Lost in green and glass, 90 x 160 cm

Together only once

Curves in gold and grey,50 x 140 cm

PLANOR,80 x 120 cm

Panorama XIII, 60 x 140 cm

Beyrouth Frieze III, 45 x 70 cm

Reversed Chimeras

A night that calmly fulfills its idea, ليلة ٌ تؤدي فكرتَ ها بهدوء (Fatema Almohsen, 1972 - ), 112 x 200 cm

Lost and found, 152 x 61 cm

BNFBlue, 90 x 120 cm

Her thoughts arise crosswise

Dunes in black,50 x 140 cm

LEIGNES,80 x 120 cm

Panorama XIV, 60 x 190 cm

Beyrouth Frieze I, 45 x 70 cm

Her Home

The sky is part of the mountains; In our land, the rain does not fall, it rises, السماء عندنا جزء من الجبال. في قريتي لا يسقط المطر كعادته، بل يصعد. (Ahmed Adbodehman, 1949 - ), 112 x 200 cm

See you, see me, 152 x 61 cm

Playground, 90 x 120 cm

Encounters expand space

Fields in gold and white,50 x 140 cm

Presence IV, 48 x 42 cm

Beyrouth Frieze II, 45 x 70 cm

Resounding Cavalcade

Multistories, 152 x 61 cm

Heaven and Earth, 90 x 210 cm

She imagines an inverted city

Brown Furrows,50 x 140 cm

Beyrouth Frieze XI, 45 x 70 cm

Between two Tempests

Beachscape I, 152 x 61 cm

Elles at BM, 50 x 100 cm

Circuits are jammed

Furrows in grey and gold,50 x 140 cm

Beyrouth Frieze X, 45 x 70 cm

Deliquescences

Parlando con te, 50 x 100 cm

Words skip from face to face

Fields in gold and brown,50 x 140 cm

Mediterranea V, 48 x 72 cm

Hlompho

Surveillance,60x90cm

Jacaranda trip, 80 x 180 cm

She claims no fixed identity

Fields in green and gold,50 x 140 cm

Presence III, 48 x 72 cm

Forgotten mischief

LWomen, 46 x 140 cm

Her perspective puts her on the sideline

Burnt Fields,50 x 140 cm

Trees and Bushes I, 48 x 72 cm

Audacity

Selena, 40 x 110 cm

Her encounters bounce off one another

Lagoon in green and red,50 x 140 cm

Matlama

A las seis de la tarde

Samukelo, 40 x 110 cm

The crowd overlaps her sense of exile

Lagoon in blue and rose,50 x 140 cm

Tatenda

Demantibulated Sadness

They are watching over you, 60 x 180 cm

She looks more and more like the city

Lagoon in mauve,50 x 75 cm

Mapufa

Perched Vanities

La Traversée, 46 x 140 cm

She is among others without being there

Golden Lagoon,50 x 75 cm

Selena

Scattered cries

Double Deck, 46 x 140 cm

She borrows pieces of other people's lives

Rose Lagoon,50 x 75 cm

Tshidiso

The Tragedy of this Story

Frictions, 50 x 200 cm

She is always ahead of herself

Fields in green,50 x 75 cm

Tshepiso

Charade,60x90cm

BNF Goings, 46 x 140 cm

She keeps her thoughts for the future

Sacred Mountains,50 x 75 cm

Simphiwe

Deep down in the shady Garden

BlondLond, 46 x 140 cm

She will redo the journey backwards

Lagoon in black and blue,50 x 75 cm

Lerato

Roman Circles I, 40 x 200 cm

She cannot escape her own steps

Fields in white,50 x 75 cm

Bokang

Ageless Scenery

Roman Circles V, 40 x 200 cm

Her body becomes fluid, free in the crowd

Fields in gold, yellow and brown,50 x 75 cm

Matete

Last fight

Endless sunset, 60 x 180 cm

She forgets time and place

Lagoon in yellow,50 x 75 cm

Mamello

Passing the city through you, 40 x 150 cm

She lives in the city without being there

Lagoon in blue,50 x 75 cm

Obstacles superimpose each other

Her pace is incessant, distant

She is afraid she might have invented everything

She wonders if it is about rhythm or repetition

She tries to guess what will come next

She is intimate with certain parts of the city

Decisions follow one another
