-
Nuits, 40 x 180 cm
-
Firelands I, 100 x 100 cm
-
Firelands II, 100 x 100 cm
-
Firelands III, 100 x 100 cm
-
Firelands IV, 100 x 100 cm
-
Firelands V, 100 x 100 cm
-
Firelands VI, 100 x 100 cm
-
Tangerine, 46 x 140 cm
-
He is coming, 90 x 160 cm
-
His Car Her Hair
-
She looks for culprits and offenders
-
She would like the city to unwind into her
-
The undresser - 01, 60x80cm
-
Les Dérangeuses III
-
Written in the white and wet II
-
9th Arrondissement
-
Belles de nuit V, 40 x 125 cm
-
Chimeras XXI
-
Sortilèges XVII
-
Golden Fields,50 x 210 cm
-
OROMBRE,100 x 50 cm
-
TGV Landscape I
-
Mediterranea II, 80 x 100 cm
-
Hellish miracles
-
HKNIT
-
Les Nuits du Couvre-Feu I
-
Blood in her words
-
We only have the time we live in, with all that we have, وى الوقت الذي نعيشه مع كل ما نملك (Ahmed Salman Assan Marzouki Saie Al Koufi, 1906 - 1991), 112 x 200 cm
-
Aquarium, 46 x 140 cm
-
Corleone, 100 x 180 cm
-
SelfCamera I
-
She dreams about what has not happened
-
Anonymous and intimate at the same time
-
The undresser - 02, 60x80cm
-
Les Dérangeuses VIII
-
Retours I
-
17th Arrondissement
-
Belles de nuit XII, 40 x 125 cm
-
Chimeras XXXIII
-
Sortilèges XX
-
Black Fields,50 x 210 cm
-
TRIVOR,100 x 50 cm
-
TGV Landscape II
-
Mediterranea II, 80 x 100 cm
-
Intensely she recovers possession of herself
-
Raincheck
-
Night Kunming
-
Les Nuits du Couvre-Feu II
-
Hidden and ahead
-
I walk down the street, I don't remember if it was white or purple, أمشي في الشارع، لا أدري إن كان أبيض أم قرمزي (Ahmed Kattouah, 1965 - )
-
Urban Ritual, 46 x 140 cm
-
Rambling, 100 x 140 cm
-
SelfCamera II
-
She looses herself in the dates and the places
-
She believes what she sees
-
The undresser - 03, 60x80cm
-
Les Dérangeuses IV
-
Allée avec elle I
-
2th Arrondissement
-
Belles de nuit VII, 40 x 125 cm
-
Chimeras I
-
Sortilèges XVIX
-
Fields and Curves in gold and brown, 50 x 210 cm
-
TREVE,100 x 50 cm
-
TGV Landscape III
-
Mediterranea I,60x90cm
-
Metro landscape
-
Stealthy Presence
-
Huimin Kunming Night
-
Les Nuits du Couvre-Feu XX
-
Five demands, not one less, I
-
Fake collision, 60x160 cm
-
In the air, the heart flew, by the light... في الهواء، كان القلب مُ حلِّ قاً، في أنوار التجلّ ي وقد بدَّ دَ ت ْ ظلمات التيه (Omar Ibrahim Al Bari, 1891 - 1959), 112 x 200 cm
-
Transient, 61 x 152 cm
-
Shelters (Cases), 90 x 220 cm
-
SelfCamera III
-
She hopes for an event
-
She retraces her steps but more slowly
-
The undresser - 04, 60x80cm
-
Les Dérangeuses V
-
Lapses I
-
15th Arrondissement
-
Belles de nuit III, 40 x 130 cm
-
Chimeras C
-
Sortilèges XXI
-
Fields in brown and white,50 x 210 cm
-
OBRUNE,100 x 50 cm
-
TGV Landscape VI
-
Presence VII
-
Today no one in my family has been shot
-
Mother Courage
-
Personal History
-
Les Nuits du Couvre-Feu XXX
-
Five demands, not one less, II
-
Maidan with her, 60x160cm
-
Beyrouth Frieze IV, 45 x 70 cm
-
How sad I would be if I did not meet you لكم كنت سأكون حزينا ً لو لم ألتقيك (Abdelaziz Al Moubarak, 1862 - 1941), 112 x 180 cm
-
Presents, 46 x 140 cm
-
Stanza, 100 x 180 cm
-
SelfCamera IV
-
She thinks about what has not happened
-
The city passes through her face
-
The undresser - 05, 60x80cm
-
Les Dérangeuses VII
-
Written in the white and wet III
-
7th Arrondissement
-
Belles de nuit VI, 50 x 120 cm
-
Chimeras CI
-
Sortilèges XXII
-
Furrows in green and gold,50 x 210 cm
-
RIVERIES,100 x 50 cm
-
TGV Landscape V
-
Mediterranea IV
-
This incessant collision makes me feel at home
-
Abandoned Scene
-
Here
-
Les Nuits du Couvre-Feu L
-
Caught in a tramway act
-
Beyrouth Frieze V, 45 x 70 cm
-
Chance is here before it is there الفرصة موجودة قبل أن تكون هناك (Ibrahim Abdulaziz Alhosain, 1960 - ), 112 x 180 cm
-
N.Y.C.Y.C., 46 x 140 cm
-
Related, 100 x 180 cm
-
SelfCamera V
-
She commits herself to unreality
-
She runs like she loves
-
The undresser - 06, 60x80cm
-
Les Dérangeuses II
-
Tell me what she did not I
-
11th Arrondissement
-
Chimeras L
-
Sortilèges III
-
Lagoon in mauve and white,50 x 210 cm
-
ROSERT,100 x 50 cm
-
TGV Landscape VII
-
Trees and Bushes VI
-
Living in a difficult city becomes almost a privilege
-
The impossible House
-
Landmark
-
Les Nuits du Couvre-Feu VI
-
Pointing to the rebel
-
She hid her heart of love in her heart كانت تخبئ حبها في قلبها (Abdelaziz Al Moubarak, 1862 - 1941), 112 x 180 cm
-
Passage, 46 x 140 cm
-
Them, them, them I, 100 x 180 cm
-
SelfCamera VI
-
She doesn’t know where the city ends
-
Her quest looks like fire
-
The undresser - 07, 60x80cm
-
Les Dérangeuses VI
-
Limon I
-
18th Arrondissement
-
Belles de nuit XIII, 60 x 87 cm
-
Chimeras II
-
Sortilèges XII
-
DORANGLE,100 x 50 cm
-
Mediterranea VII, 48 x 72 cm
-
Podil with Iryna
-
Turn away
-
Beixin Night
-
Les Nuits du Couvre-Feu LXXII
-
Yielding or escaping ?
-
Others understand us more than we do ourselves يفهمنا الآخرون أكثر مما نفهم أنفسنا (Ahmed Adboehman, 1949 - ), 112 x 180 cm
-
Silent Curtains, 46 x 140 cm
-
Louis, 100 x 180 cm
-
SelfCamera XXVII, 48x65cm
-
Her landmarks become mobile
-
Silhouettes mingle with each other
-
The undresser Nr/Vl, 80x116 cm
-
Les Dérangeuses I
-
Lapses II
-
4th Arrondissement
-
Belles de nuit XIV, 60 x 80 cm
-
Chimeras V
-
Lagoon in gold, blue and green,50 x 210 cm
-
ONORE,100 x 50 cm
-
Presence I
-
Fake collision
-
Pedestal
-
Screen Memory
-
Les Nuits du Couvre-Feu LXXI
-
There is no way back
-
Beyrouth Frieze VIII, 45 x 70 cm
-
And humans walked on Earth, guided وكان البشر يمشون في الأرض، مقتادين (Mohammed Al Amri, 1863 - 1931), 112 x 200 cm
-
Upside down, 46 x 140 cm
-
Sevilaport, 100 x 140 cm
-
SelfCamera XXVIII
-
She keeps all these voices within herself
-
Citystreets make her feel clandestine
-
The undresser in white, 70x170cm
-
Les Dérangeuses XVII
-
Written in the white and wet I
-
6th Arrondissement
-
Belles de nuit XII, 75 x 100 cm
-
Chimeras VI
-
Sortilèges XV
-
Fields and walls,50 x 210 cm
-
SILVERE,100 x 50 cm
-
Presence V, 48 x 72 cm
-
City Leisure
-
In the Heart of Untruth
-
Tianhe
-
Les Nuits du Couvre-Feu LX
-
Some people moved on but not us
-
Showing the poetry of women and the pride of men إظهار شِ عر النساء وفخر الرجال (Ahmed Abdoehman, 1949 - ), 112 x 200 cm
-
She, 46 x 140 cm
-
Directional piece, 110 x 185 cm
-
SelfCamera VII
-
Others are always already there
-
Les Dérangeuses XX
-
Written in white and wet III
-
20th Arrondissement
-
Chimeras III
-
Sortilèges II
-
Fields and Sky,50 x 210 cm
-
CORDORE,100 x 50 cm
-
Mediterranea VI
-
She confronts the street with gentleness
-
Ravages
-
Becoming a Painting
-
Les Nuits du Couvre-Feu LXX
-
Memories of a crowded city
-
This is how I look at life, at people, and at things هكذا أنظر إلى الحياة والناس والأشياء (Abdullah Alokibi, 1979 - ), 112 x 200 cm
-
Alternance, 46 x 140 cm
-
Unrelated, 100 x 180 cm
-
SelfCamera VIII
-
All her landmarks become mobile
-
Les Dérangeuses XVI
-
15th Arrondissement
-
Belles de nuit I, 75 x 50 cm
-
Chimeras VII
-
Sortilèges XXV
-
Lagoon in green and grey,50 x 210 cm
-
MANOVOR,100 x 50 cm
-
Mediterranea VIII
-
A place to hide
-
Winning Trio
-
Shilin
-
Les Nuits du Couvre-Feu XLV
-
Standing with HK
-
I just want life to remain calm so that I can capture the beauty when it passes أتمنى أن تظل الحياة هادئة لالتقاط الجمال عندما يمر(Abdullah Alokibi, 1979 - ), 112 x 200 cm
-
Them, 46 x 140 cm
-
Lure, 100 x 180 cm
-
SelfCamera XI
-
Her road is known by everybody
-
16th Arrondissement
-
Belles de nuit X, 170 x 60 cm
-
Chimeras VIII
-
Sortilèges XXIV
-
Lagoon in green and blue,50 x 210 cm
-
LANGONE,100 x 50 cm
-
Presence VI
-
Back to daily life
-
Subjectivity without Respite
-
Lost in flowers
-
Les Nuits du Couvre-feu LXXX
-
She will never forget
-
Beyrouth Frieze XII, 45 x 70 cm
-
We sang for life to dance, which it often did, كنا نغني لترقص الحياة، وهو ما كانت تفعله دائما(Ahmed Adbodehman, 1949 - ), 112 x 200 cm
-
TBA II, 30 x 175 cm
-
SelFSevilla III, 80 x 145 cm
-
SelfCamera XII
-
Desires remain warm under her footsteps
-
Les Dérangeuses XVIII
-
13th Arrondissement
-
Belles de nuit II, 170 x 60 cm
-
Chimeras XXVII
-
Sortilèges XXVIII
-
Lagoon in blue and red,50 x 210 cm
-
SCRIBLE,60 x 45 cm
-
Mediterranea IX
-
Ahead of us
-
Failure & Success
-
Lost in Yunnan
-
Can we still live normally ?
-
Beyrouth Frieze XIII, 45 x 70 cm
-
I wait for chance, I know it's on its way,أنتظر الصدفة، أعرف أنها في الطريق (Ibrahim Abdulaziz Alhosain, 1960 - ), 112 x 200 cm
-
TBA I, 30 x 175 cm
-
BMOne, 90 x 120 cm
-
SelfCamera XV
-
She is haunted by rubs, swishes, rustles
-
Les Dérangeuses XII
-
2th Arrondissement
-
Chimeras IV
-
Lagoon in blue and black,50 x 210 cm
-
IL,60 x 45 cm
-
Mediterranea X
-
Fathers and Sons
-
Carnival Outbreak
-
Experience
-
La résistance devient un devoir
-
Beyrouth Frieze XIV, 45 x 70 cm
-
They seek the mysteries of the entire universe by opening doors, يبحثون عن أسرار الكون بأسره حين يُ شرّ عون الأبواب (Fouad Ben Hassan Al Khateeb, 1880 - 1957), 112 x 200 cm
-
Disorder, 46 x 140 cm
-
Del Carmine, 70 x 125 cm
-
SelfCamera XVI
-
All this is about rhythm or repetition ?
-
Les Dérangeuses XI
-
12th Arrondissement
-
Chimeras XVII
-
Lagoon in blue and white,50 x 210 cm
-
BOLME,60 x 45 cm
-
Facing you, 60 x 90 cm
-
She finds her way by following the impact of bullets
-
Waiting without desire
-
Doubts
-
11.08 / 8:09 He left us
-
Beyrouth Frieze XV, 45 x 70 cm
-
I wish my life had a beautiful destiny, that the first love was the right one... ً ، أن يكون الحب الأول هو الصحيحاأَوَ دُّ أن يكون لحياتي قدرا ً جمي (Ahmed Alali, 1986 - ), 112 x 200 cm
-
Crossing II, 46 x 140 cm
-
Dara, 100 x 180 cm
-
SelfCamera XIX
-
She confuses words and faces
-
Les Dérangeuses XIV
-
14th Arrondissement
-
Chimeras XIII
-
Greenhouses, 50 x 210 cm
-
ILOR,60 x 45 cm
-
Panorama I, 60 x 110 cm
-
Together
-
And they are still dancing
-
Night
-
HK Conscience
-
Like time, she refuses to disappear, كالوقت، تأبى الاختفاء (Fouad Ben Hassan El Khateeb, 1880 - 1957), 112 x 200 cm
-
Crossing I, 46 x 140 cm
-
Divagations, 80 x 150 cm
-
SelfCamera XX
-
The city cuts off speech
-
Les Dérangeuses L
-
13th Arrondissement
-
Chimeras IX
-
Fields and Flowers,50 x 210 cm
-
CORPORE,60 x 45 cm
-
Panorama V, 60 x 130 cm
-
New thoughts
-
Merrymakers
-
Going Evening
-
Clouds VS chaos
-
She seeks the mysteries of the entire universe, تبحث عن أسرار الكون بأسره (Fouad Ben Hassan Al Khateeb, 1880 - 1957), 112 x 150 cm
-
Mingling, 46 x 140 cm
-
Variables, 110 x 150 cm
-
SelfCamera XXV
-
The city rumble says nothing
-
Les Dérangeuses XV
-
1st Arrondissement
-
Chimeras XI
-
Fields and Grass of red, green and gold,50 x 210 cm
-
MID,60 x 45 cm
-
Panorama II, 60 x 130 cm
-
Intense gathering
-
The end of a killer's life
-
Guxan Hutong
-
The scent of the oud perfumes the beads inside the pearly fabrics رائحة العود تفوح من اللآلئ في الأقمشة الصدفية (Khaled Ben Mohamed Al Faraj, 1898 - 1954), 112 x 200 cm
-
Hold up, 46 x 140 cm
-
Mad III, 80 x 140 cm
-
SelfCamera XXIV
-
She likes the city better than her own life
-
Les Dérangeuses XIX
-
3th Arrondissement
-
Chimeras X
-
Fields and Grass of gold, green and brown, 50 x 210 cm
-
SILLOR,60 x 45 cm
-
Panorama VII, 60 x 110 cm
-
Woman park
-
Extreme Promise
-
Composition
-
Every week, Medinans and visitors from Medina would meet in his garden, كل أسبوع كان يلتقي سكان المدينة وزوارها في حديقتها(Abdel Jalil Barada, 1835 - 1909), 112 x 200 cm
-
Escalator, 46 x 140 cm
-
Mad II, 80 x 140 cm
-
SelfCamera XVII
-
She plays the city's game
-
5th Arrondissement
-
Chimeras XV
-
CLOISE,60 x 45 cm
-
Panorama IV, 60 x 90 cm
-
Post-Melancholia
-
Recollections
-
If you listen to things carefully, you can hear them sing, يكفي أن تصغي للأشياء لكي تسمعها تغني (Ahmed Adbodehman, 1949 - ), 112 x 200 cm
-
Golden space, 46 x 140 cm
-
Mad I, 80 x 140 cm
-
SelfCamera XVIII
-
She naturally follows confusion, chaos
-
Les Dérangeuses LXXV
-
4th Arrondissement
-
Chimeras XII
-
Brown Furrows,50 x 140 cm
-
TERMOR,60 x 45 cm
-
Panorama VI, 60 x 130 cm
-
Mirage Bedroom
-
Private Message
-
When tomorrow comes we don't know what we will be, لا ندري ما سيكون مصيرنا غدا (Ahmed Salman Assan Marzouki Saie Al Koufi, 1906 - 1991), 112 x 150 cm
-
Ocre majeur, 46 x 140 cm
-
Ils, 60 x 120 cm
-
SelfCamera XIII
-
She snuggles into city's folds
-
Les Dérangeuses XXXIII
-
Fields of red and gold,50 x 140 cm
-
BRANOR,60 x 45 cm
-
Panorama XI, 60 x 195 cm
-
Comings and goings
-
Walk the Talk
-
Deep Thoughts
-
At the end of the day, the winds were blowing in all four directions, في نهاية هذا اليوم، كانت الريح تعصف في الاتجاهات الأربعة (Yusuf Al Muhaymid, 1964 - ), 112 x 200 cm
-
Along Madison, 46 x 140 cm
-
RT2, 60 x 120 cm
-
SelfCamera XIV
-
She pretends to be transparent
-
Les Dérangeuses LII
-
Fields in green and mauve,50 x 140 cm
-
IMBER,60 x 45 cm
-
Panorama VIII, 60 x 180 cm
-
Free orientation
-
Rubbish Forest
-
Exchange
-
Without hesitation, she pierces the wind, بدون تردد، تخترق الريح (Ibrahim Ben Hassan Ben Hossein Al Eskouby, 1854 - 1914), 112 x 200 cm
-
Ionian, 46 x 140 cm
-
Elles, 60 x 120 cm
-
SelfCamera XXI
-
Multitude makes her doubt her existence
-
Fields in orange and gold,50 x 140 cm
-
CORE,60 x 45 cm
-
Panorama XII, 60 x 180 cm
-
End of the day with them
-
Magician
-
Choice
-
Me, bird feather; And the love of a little girl; Gone with the wind, ذهب مع الريح وحب فتاة أنا، ريشة عصفور (Salman Aljarbou, 1978 - ), 112 x 200 cm
-
Situations, 61 x 152 cm
-
Les Clandestins, 90 x 220 cm
-
SelfCamera XXII
-
The visible hidden by the visible
-
Dunes in red and black,50 x 140 cm
-
RIVOR,80 x 120 cm
-
Panorama XV, 60 x 180 cm
-
The Imagined Future
-
Dangan Jasmine
-
I am a whole family. I am all that, أنا كل ذلك أنا عائلة كاملة (Abdullah Al-Moshin, 1997 - ), 112 x 200 cm
-
Watersky, 46 x 140 cm
-
Figures, 100 x 200 cm
-
SelfCamera IX
-
Meaning comes back little by little
-
Golden furrows,50 x 140 cm
-
CENDROSE,80 x 120 cm
-
Panorama XVII, 60 x 150 cm
-
Today none from my family was killed
-
Laughing Fits and Cold Sweats
-
Project
-
She listens to the invisible echo, تصغي إلى الصدى المرئي (Fouad Ben Hassan Al Khateeb, 1880 - 1957), 112 x 200 cm
-
Toy city, 46 x 140 cm
-
Survival, 60 x 120 cm
-
SelfCamera X
-
Every new face brings the city closer
-
Furrows in gold and orange, 50 x 140 cm
-
SOR,80 x 120 cm
-
Panorama XVI, 60 x 150 cm
-
The Graves Maid
-
Fade-in
-
Poetry comes from everywhere, يأتي الشعر من كل مكان (Ahmad Al Fageeh, 1967 - ), 112 x 200 cm
-
Rapture, 152 x 61 cm
-
Multi voices, 60 x 120 cm
-
SelfCamera XXX
-
She has choosen a scattered path
-
Burnt Furrows,50 x 140 cm
-
LOUCHLES,80 x 120 cm
-
Blacklisted Museum
-
Radiance, إشعاع (Solaiman Ben Sahmane, 1851 - 1929), 112 x 200 cm
-
Parade, 152 x 61 cm
-
Folla, 60 x 120 cm
-
SelfCamera XXXI
-
Accumulated presences impregnate her body
-
Fields in gold and green,50 x 140 cm
-
AMBRANE,80 x 120 cm
-
Panorama III, 60 x 130 cm
-
Beyrouth Frieze I, 45 x 70 cm
-
Heavenly murders
-
The nights are only lines drawn on stones..., الليالي فيها ليست سوى خطوط مُ سَ طَّ رة على حجارة (Khaled Ben Mohamed Al Faraj, 1898 - 1954), 112 x 150 cm
-
Waterskyglass, 152 x 61 cm
-
The Heroine, 50 x 150 cm
-
SelfCamera XXIII
-
Others are always already there
-
Fields and Grass of gold, green and brown,50 x 140 cm
-
LASSORE,80 x 120 cm
-
Panorama X, 60 x 180 cm
-
Beyrouth Frieze IX, 45 x 70 cm
-
Games of Power
-
The train overcomes the wind..., (Ibrahim Ben Hassan Ben Hossein Al Eskouby, 1854 - 1914), 112 x 200 cm
-
Wrapped, 152 x 61 cm
-
Panorama, 90 x 120 cm
-
She likes to slow down her perceptions
-
Fields in black and ochre,50 x 140 cm
-
ORORE,80 x 120 cm
-
Panorama IX, 60 x 180 cm
-
Beyrouth Frieze VII, 45 x 70 cm
-
Imminence
-
The peninsula sang and drank to the nights..., غَ نَّ ت شبه الجزيرة وسقتها الليالي التي كان يلمع البرق ويدوي الرعد فيها(Khairuddin Zirkali, 1893 - ?), 112 x 200 cm
-
In the middle of it, 152 x 61 cm
-
Lost in green and glass, 90 x 160 cm
-
Together only once
-
Curves in gold and grey,50 x 140 cm
-
PLANOR,80 x 120 cm
-
Panorama XIII, 60 x 140 cm
-
Beyrouth Frieze III, 45 x 70 cm
-
Reversed Chimeras
-
A night that calmly fulfills its idea, ليلة ٌ تؤدي فكرتَ ها بهدوء (Fatema Almohsen, 1972 - ), 112 x 200 cm
-
Lost and found, 152 x 61 cm
-
BNFBlue, 90 x 120 cm
-
Her thoughts arise crosswise
-
Dunes in black,50 x 140 cm
-
LEIGNES,80 x 120 cm
-
Panorama XIV, 60 x 190 cm
-
Beyrouth Frieze I, 45 x 70 cm
-
Her Home
-
The sky is part of the mountains; In our land, the rain does not fall, it rises, السماء عندنا جزء من الجبال. في قريتي لا يسقط المطر كعادته، بل يصعد. (Ahmed Adbodehman, 1949 - ), 112 x 200 cm
-
See you, see me, 152 x 61 cm
-
Playground, 90 x 120 cm
-
Encounters expand space
-
Fields in gold and white,50 x 140 cm
-
Presence IV, 48 x 42 cm
-
Beyrouth Frieze II, 45 x 70 cm
-
Resounding Cavalcade
-
Multistories, 152 x 61 cm
-
Heaven and Earth, 90 x 210 cm
-
She imagines an inverted city
-
Brown Furrows,50 x 140 cm
-
Beyrouth Frieze XI, 45 x 70 cm
-
Between two Tempests
-
Beachscape I, 152 x 61 cm
-
Elles at BM, 50 x 100 cm
-
Circuits are jammed
-
Furrows in grey and gold,50 x 140 cm
-
Beyrouth Frieze X, 45 x 70 cm
-
Deliquescences
-
Parlando con te, 50 x 100 cm
-
Words skip from face to face
-
Fields in gold and brown,50 x 140 cm
-
Mediterranea V, 48 x 72 cm
-
Hlompho
-
Surveillance,60x90cm
-
Jacaranda trip, 80 x 180 cm
-
She claims no fixed identity
-
Fields in green and gold,50 x 140 cm
-
Presence III, 48 x 72 cm
-
Forgotten mischief
-
LWomen, 46 x 140 cm
-
Her perspective puts her on the sideline
-
Burnt Fields,50 x 140 cm
-
Trees and Bushes I, 48 x 72 cm
-
Audacity
-
Selena, 40 x 110 cm
-
Her encounters bounce off one another
-
Lagoon in green and red,50 x 140 cm
-
Matlama
-
A las seis de la tarde
-
Samukelo, 40 x 110 cm
-
The crowd overlaps her sense of exile
-
Lagoon in blue and rose,50 x 140 cm
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Tatenda
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Demantibulated Sadness
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They are watching over you, 60 x 180 cm
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She looks more and more like the city
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Lagoon in mauve,50 x 75 cm
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Mapufa
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Perched Vanities
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La Traversée, 46 x 140 cm
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She is among others without being there
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Golden Lagoon,50 x 75 cm
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Selena
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Scattered cries
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Double Deck, 46 x 140 cm
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She borrows pieces of other people's lives
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Rose Lagoon,50 x 75 cm
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Tshidiso
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The Tragedy of this Story
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Frictions, 50 x 200 cm
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She is always ahead of herself
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Fields in green,50 x 75 cm
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Tshepiso
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Charade,60x90cm
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BNF Goings, 46 x 140 cm
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She keeps her thoughts for the future
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Sacred Mountains,50 x 75 cm
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Simphiwe
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Deep down in the shady Garden
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BlondLond, 46 x 140 cm
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She will redo the journey backwards
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Lagoon in black and blue,50 x 75 cm
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Lerato
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Roman Circles I, 40 x 200 cm
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She cannot escape her own steps
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Fields in white,50 x 75 cm
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Bokang
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Ageless Scenery
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Roman Circles V, 40 x 200 cm
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Her body becomes fluid, free in the crowd
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Fields in gold, yellow and brown,50 x 75 cm
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Matete
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Last fight
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Endless sunset, 60 x 180 cm
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She forgets time and place
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Lagoon in yellow,50 x 75 cm
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Mamello
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Passing the city through you, 40 x 150 cm
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She lives in the city without being there
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Lagoon in blue,50 x 75 cm
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Obstacles superimpose each other
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Her pace is incessant, distant
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She is afraid she might have invented everything
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She wonders if it is about rhythm or repetition
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She tries to guess what will come next
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She is intimate with certain parts of the city
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Decisions follow one another
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She makes up stories without faces